“Wendell Scott was in a hurry from day one.” Having earned enough (“fifteen bucks”) to buy a Model T Ford at the age of 14, he went on to drive a cab (and collect a prodigious number of speeding tickets), operate a garage and run moonshine. “So when a race promoter wanted a black driver, the police said, ‘Scott’s your man. Ain’t nobody faster.’ ” Weatherford develops her character neatly and with conviction, hitting hard at his seemingly unquenchable enthusiasm for speed and his resilience in the face of enduring racism. Readers will feel her anger and his when, after becoming the first (and only) African American to win a NASCAR race, he had to watch blatantly biased judges award the trophy to a white man (they recanted later, giving him a replacement, “a wooden piece of junk,” a month later). Velasquez’s typically heroic pastels depict the smiling white driver mugging for the camera while a furious Scott looms outside the frame. Although the prose is less poetic than others of the author’s works, it retains a gritty vitality appropriate to the subject. Eye-opening, exhilarating and inspiring. (Picture book/biography. 5-9)
Pub Date: Oct. 1, 2009
ISBN: 978-0-7614-5465-6
Page Count: 40
Publisher: Marshall Cavendish
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2009
A larger-than-life subject is neatly captured in text and images.
The life journey of the first African American to serve on the United States Supreme Court and the incidents that formed him.
Thurgood Marshall grew up in segregated Baltimore, Maryland, with a family that encouraged him to stand for justice. Despite attending poor schools, he found a way to succeed. His father instilled in him a love of the law and encouraged him to argue like a lawyer during dinner conversations. His success in college meant he could go to law school, but the University of Maryland did not accept African American students. Instead, Marshall went to historically black Howard University, where he was mentored by civil rights lawyer Charles Houston. Marshall’s first major legal case was against the law school that denied him a place, and his success brought him to the attention of the NAACP and ultimately led to his work on the groundbreaking Brown v. Board of Education, which itself led to his appointment to the Supreme Court. This lively narrative serves as an introduction to the life of one of the country’s important civil rights figures. Important facts in Marshall’s life are effectively highlighted in an almost staccato fashion. The bold watercolor-and-collage illustrations, beginning with an enticing cover, capture and enhance the strong tone set by the words.
A larger-than-life subject is neatly captured in text and images. (author’s note, photos) (Picture book/biography. 5-9)Pub Date: Sept. 3, 2019
ISBN: 978-1-5247-6533-0
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: June 9, 2019
Kirkus Reviews Issue: July 1, 2019
Is great hitting in the clean, natural swing of the batter—or the perfectly balanced feel of the bat? As kids know when they start playing baseball, small details must converge just right to overcome the edge between winning and losing, hitting and striking out. Sometimes this translates into superstitions or quirky behavior. First-time author Bildner toes this question in the quirks of Shoeless Joe Jackson and his feared bat, Black Betsy. Joe, who played in the major leagues from 1908 to 1920, does well in the minor leagues, but can’t seem to move up without the help of his South Carolina friend, the great bat-maker Charlie Ferguson. While Charlie knows how to make the best bat, it’s not hard to decide which needs tweaking more, the bat or Joe’s mind so he can finally realize his great potential. From Joe sleeping with the bat to his wrapping it in the cotton of his southern roots, Bildner sticks mostly to the main facts and resists a romanticization of the game. Players who know the perfect, sweeping amalgamation of hand, eye, and sweet spot might expect to hear its dramatic tenor when Joe cracks the ball with Black Betsy, but this is a story finished by statistics. Payne’s (Brave Harriet, p. 944, etc.) mixed-media illustrations are gorgeous: the fuzz is in the flannel and the light is just right. And so are his perspectives, angles, and other compositional choices that make for the right mix of mystery and narrative to draw the reader in. A lengthy synopsis of Joe’s entire career and his statistics are appended. (Picture book. 5-8)
Pub Date: March 1, 2002
ISBN: 0-689-82913-2
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2001
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