In danger of losing their farm and inspired by Nellie Bly’s round-the-world feat, 18-year-old Clara Estby and her Norwegian immigrant mother, Helga, decide to walk from Mica Creek, near Spokane, Wash., to New York City, a projected May-to-December journey. A publisher has promised them $10,000 if they reach their destination on time. With just the clothes on their backs, a pistol and little else, the women must rely on the kindness of strangers and their own tenacity. When not lost in Idaho’s lava fields, showing Indians in Utah how to use a curling iron, meeting just-elected President William McKinley or uncovering family secrets, they are avoiding rattle snakes, mountain blizzards and assailants. Quiet yet snappy Clara uses the time to decide whether she should marry Erick (who’s already building their marriage bed) or try to make it on her own as a writer. Meanwhile, theatrical Helga uses each stop to promote her suffragist beliefs. Incredibly, the nearly 4,000-mile journey depicted in this debut is based on an actual trek taken by the author’s great-aunt and great-grandmother to save their farm. Clara’s first-person narration starts off strong with lively descriptions (“I was as jumpy as a colt smelling cougar scat”) but rushes toward the end, as if trying to hurry up along with the women. Readers will enjoy the feminist adventures but crave more details. (author’s note) (Historical fiction. 12 & up)
Pub Date: April 4, 2011
ISBN: 978-0-618-99983-5
Page Count: 256
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 15, 2011
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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