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CLEOPATRA'S DAGGER

The complex, intrepid feminist heroine bodes well for future installments.

Lawrence introduces a new character-based series set in 1880s New York City.

Elizabeth van den Broek may come from an old Dutch family, but she’s a rebel. Her father is a judge; her beautiful mother is a talented pianist and a bit of a snob; and her beloved sister resides in a psych ward in Bellevue Hospital. At the New York Herald, where her father’s influence got her a job, Elizabeth is fed up with writing society puff pieces. On her way to work on the L, she spots a dangerous opportunity for a story: a woman being choked in a third-floor apartment over a butcher shop. She tells her editor, who annoyingly sends her off to cover Mrs. Astor’s garden party instead. Returning to the apartment, she learns from an old woman that the girl who lived there has vanished. Back home in the Stuyvesant, Elizabeth makes the acquaintance of Carlotta Ackerman, an artist who rents a studio in the building. They agree to meet at the Metropolitan Museum early the next day to walk Carlotta’s dog, Toby, in the park and introduce her to bagels. Toby’s discovery of a body dressed as a mummy in the hole dug for the obelisk known as Cleopatra’s Needle catapults Elizabeth into opportunity and danger. After her editor reluctantly agrees to let her cover the story, more murders follow, and Elizabeth discovers a pattern linked to Egyptian gods. Along the way, she suffers prejudice and physical attacks in a world not meant for ambitious women. Since the corrupt police actively hinder her work, she’s on her own.

The complex, intrepid feminist heroine bodes well for future installments.

Pub Date: April 1, 2022

ISBN: 978-1-5420-1430-4

Page Count: -

Publisher: Thomas & Mercer

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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STOLEN IN DEATH

The heroine’s 62nd appearance is a hit-or-miss mystery best suited for readers already invested in her complicated life.

Lt. Eve Dallas is sucked into a murder that may well be overshadowed by another crime—and by the news that Roarke, her billionaire husband, is implicated in both felonies in an unexpected and troubling way.

Disturbed from her sleep, Aileen Carville arises to discover her wealthy husband, Nathan Barrister, coshed to death by a heavy amethyst from the collection of his late father, Zip Global founder Henry J. Barrister. His corpse is lying outside an open vault that everyone in the family insists they hadn’t known about until a couple of months ago, and it’s filled with priceless paintings and sculptures and jewels taken years ago from an A-list of museums, one of which—the Royal Suite, a legendary emerald setting—has evidently been stolen once again. The bombshell revelation that Henry must have commissioned the thefts himself leads to two questions—how did the thief who killed Nathan know about the vault and its contents, and what possessed Nathan’s wealthy father to steal and hide all these goodies in the first place?—that are much more interesting than whodunit, though only one of them will be satisfactorily answered. Another bombshell revelation follows: Roarke’s confession to Dallas that he stole the Royal Suite from London’s Tate Gallery when he was still a teenager, years before he turned away from a life of crime himself. Since Interpol is much more interested in the theft than the murder, there’s a real danger that they’ll decide Roarke was once again the thief. So, Dallas faces the double challenge of solving the crimes and keeping her beloved husband out of the frame.

The heroine’s 62nd appearance is a hit-or-miss mystery best suited for readers already invested in her complicated life.

Pub Date: Feb. 3, 2026

ISBN: 9781250414526

Page Count: 368

Publisher: St. Martin's

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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