A glittering, accomplished, but rather callow tale of a latter-day Lost Generation.
How empty can the lives of young, rich, beautiful people be? Find out in this jaundiced novel of contemporary mores.
Hollow dissolution comes in East and West Coast flavors in these interleaved narratives of college-aged singletons with wealthy, indulgent parents. Part I takes place at a liberal arts college in New England where an incestuous tangle of undergrads–sarcastic would-be novelist Nicole, Byronic musician Dexter, upper-crust bastard Wes, little-girl-lost Lanie–pause occasionally in their random hookups and drug-fueled partying to mope, with sly literary allusions, about the meaninglessness of their random hookups and drug-fueled partying. Part II shifts the scene to Los Angeles, where a different but intersecting group of kids enjoy a long summer vacation. The lives of these well-heeled Californians are even shallower–the cocaine more copious, the couplings more transient, the life goals restricted to cosmetic surgery and a berth in the entertainment industry. As the title hints, the authors walk in the footsteps of the master of Consumer Realist sagas of post-Reagan gilded youth. Their characters inhabit a social universe defined by musical tastes and designer-brand accoutrements. The men are preening narcissists obsessed with their abs, the women desperate waifs who wispily remember an age of innocence before the sexual debaucheries of middle school, and everyone expresses an inarticulable unhappiness by quoting muzzy rock lyrics. Weiss and Wallace sketch this world with a polished prose style, a fine ear for dialogue and pop culture and a wicked satirical edge. Unfortunately, the story comes to seem as dazed, monotonous and lightweight as its interchangeable characters. The straight-A Cal-Tech physics major is as vapid as the aspiring Playboy bunny, and their Lohan-esque excesses seem correspondingly unserious. As the Sadies and Sarahs and Samanthas trudge blearily from one party and bed to the next, even their parents have trouble telling them apart. In the end it’s almost impossible to keep track of who’s snorting what and screwing whom or why–and harder still to care.
A glittering, accomplished, but rather callow tale of a latter-day Lost Generation.Pub Date: N/A
ISBN: 978-1-4401-2073-2
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
Too much drama at the end detracts from a finely wrought and subtle conundrum.
Ware (In A Dark, Dark Wood, 2015) offers up a classic “paranoid woman” story with a modern twist in this tense, claustrophobic mystery.
Days before departing on a luxury cruise for work, travel journalist Lo Blacklock is the victim of a break-in. Though unharmed, she ends up locked in her own room for several hours before escaping; as a result, she is unable to sleep. By the time she comes onboard the Aurora, Lo is suffering from severe sleep deprivation and possibly even PTSD, so when she hears a big splash from the cabin next door in the middle of the night, “the kind of splash made by a body hitting water,” she can’t prove to security that anything violent has actually occurred. To make matters stranger, there's no record of any passenger traveling in the cabin next to Lo’s, even though Lo herself saw a woman there and even borrowed makeup from her before the first night’s dinner party. Reeling from her own trauma, and faced with proof that she may have been hallucinating, Lo continues to investigate, aided by her ex-boyfriend Ben (who's also writing about the cruise), fighting desperately to find any shred of evidence that she may be right. The cast of characters, their conversations, and the luxurious but confining setting all echo classic Agatha Christie; in fact, the structure of the mystery itself is an old one: a woman insists murder has occurred, everyone else says she’s crazy. But Lo is no wallflower; she is a strong and determined modern heroine who refuses to doubt the evidence of her own instincts. Despite this successful formula, and a whole lot of slowly unraveling tension, the end is somehow unsatisfying. And the newspaper and social media inserts add little depth.
Too much drama at the end detracts from a finely wrought and subtle conundrum.Pub Date: July 19, 2016
ISBN: 978-1-5011-3293-3
Page Count: 352
Publisher: Scout Press/Simon & Schuster
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: May 15, 2016
BOOK TO SCREEN
SEEN & HEARD
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