Interesting, and supported by beautiful illustrations, but not much more than the sum of its parts.
The director of the National Gallery of Ireland argues that innovative artistic expression reflects the character of the cities that drive it.
Campbell covers a huge expanse of territory as she explores the nexus of culture, cities, and artists. In this wide-ranging book, she examines 15 cities at the moment in time when they generated intense creativity. Some, such as Florence during the Renaissance, are familiar subjects in art history. Others, such as Kyoto in the 11th century and the western African kingdom of Benin from 1500 to 1700, may be new to many readers. Campbell’s chapter titles identify a quality she sees as central to each city and its art during the given period—e.g., faith in 10th century BCE Jerusalem, self-belief in ancient Rome, freedom in pre–World War I Vienna. The author notes that artistic flowerings were made possible by economic booms enabling artists and patrons to escape the daily grind and consider the sublime. In some cases, it was the state or church, usually driven by a legacy-minded leader, that paid for artistic projects. In others, such as New York during the years between 1929 and 1970, artistic rebellion was made possible by the rise of wealthy, philanthropic individuals. Campbell includes one particularly surprising example: Pyongyang, North Korea, in the second half of the 20th century. Pointing to the neo-socialist architecture and ubiquitous images of the ruling Kim dynasty that exemplify art as a form of control, she reminds us that art can have a dark side as well as an aesthetic quality. Campbell explains all this with measured authority but does not offer an overarching theory about cities and art. The book is more like a series of essays than a coherent whole.
Interesting, and supported by beautiful illustrations, but not much more than the sum of its parts.Pub Date: Jan. 1, 2024
ISBN: 9781639365494
Page Count: 464
Publisher: Pegasus
Review Posted Online: Sept. 7, 2023
Kirkus Reviews Issue: Oct. 1, 2023
HISTORY | ART & PHOTOGRAPHY | ANCIENT | WORLD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A beautifully produced, engaging homage.
Celebrating a beloved artist.
Published to coincide with a major exhibition of works by British-born artist David Hockney (b. 1937) at the Fondation Louis Vuitton, Paris, this lushly illustrated volume offers a detailed overview of the artist’s life and work, along with chapters focused on his various styles and subject matter, a chronology, and a glossary of the many techniques he employed in his art, including camera lucida, computer, and video. Contributors of essays include noted art historians and curators, such as Norman Rosenthal, who edited the volume; Simon Schama; Anne Lyles; James Cahill; and François Michaud. Growing up in the north of England, Hockney was drawn to the light and sparkle that he found in Hollywood movies. When he finally arrived in Los Angeles, the sunlit landscapes inspired him, and his new sense of artistic freedom concurred with sexual freedom: As a gay man, he felt liberated from the constraints that had weighed on him in Britain, even in the “relative Bohemia” of the Royal College of Art. Essayists reflect on his artistic interests, such as landscapes, portraiture, flowers, and the opera—for which he created boldly exuberant sets—as well as on his influences and experimentation. Michaud examines the impact on Hockney of a visit to Paris in the 1970s, where he became familiar with Henri Matisse and his contemporaries from museum exhibitions. In the 1990s, visiting his mother and friends in Yorkshire, Hockney painted both outdoors and in the studio, experimenting with various media—including the photocopier and fax machine—as he worked to render the woodsy landscape. As a companion to the exhibition, the volume offers stunning reproductions of Hockney’s prolific works. Enormously popular with museumgoers, Hockney, Rosenthal exults, “transforms the ordinary and the everyday into the remarkable.”
A beautifully produced, engaging homage.Pub Date: June 3, 2025
ISBN: 9780500029527
Page Count: 328
Publisher: Thames & Hudson
Review Posted Online: April 16, 2025
Kirkus Reviews Issue: May 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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