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PRAIRIE FIRES

THE AMERICAN DREAMS OF LAURA INGALLS WILDER

A vivid portrait of frontier life and one of its most ardent celebrants.

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A sensitive biography of the author of Little House on the Prairie.

Many books about Laura Ingalls Wilder (1867-1957) have stirred up controversy about her writing career and political views. William Holtz’s The Ghost in the Little House (1993) ascribes considerable authorship to Wilder’s daughter, Rose Wilder Lane; Christine Woodside’s Libertarians on the Prairie (2016) presents compelling evidence for Wilder’s ultraconservatism. Fraser (Rewilding the World: Dispatches from the Conservation Revolution, 2009, etc.), editor of the Library of America edition of the Little House books, offers a cleareyed and well-documented examination of Wilder’s life, writings, and career; her relationship with Rose; and her politics. Deeply respectful of Wilder as a writer, she deems Little House on the Prairie “a classic work” and “a cultural monument” that, although fiction, tells “the truth about settlement, about homesteading,” and about farmers’ “astonishing feats of survival,” which Wilder experienced firsthand. As a child, she was “constantly uprooted and often imperiled”; married at 18, she faced years of “exhaustion, failure, and regret.” After her husband was crippled in an accident, compromising his ability to farm, Wilder, in addition to farm work, took odd jobs. When Rose, a journalist, suggested publishing as a way to make money, Wilder eagerly recorded memories of prairie life. Rose served as editor. Fraser portrays the domineering Rose as erratic, angry, depressive, and self-destructive, repeatedly causing “ruination to herself, bringing her life down around her ears.” She compulsively poured money into house renovations and lavish travel, often leaving herself destitute. Like her mother, she was adamantly opposed to Franklin Roosevelt’s New Deal; she was anti-Semitic, “an apologist for dictatorial regimes,” and a champion of Ayn Rand’s work. The literary collaboration between mother and daughter was “a competition” between “Wilder’s plain, unadorned, fact-based approach versus Lane’s polished, dramatic, and fictionalized one. In Wilder’s autobiographical work, ‘truth’ would become a battlefield.” What emerged was a nostalgic life story, “reimagined as an American tale of progress,” that catapulted Wilder to fame.

A vivid portrait of frontier life and one of its most ardent celebrants.

Pub Date: Nov. 21, 2017

ISBN: 978-1-62779-276-9

Page Count: 640

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 20, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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NO NAME IN THE STREET

James Baldwin has come a long way since the days of Notes of a Native Son, when, in 1955, he wrote: "I love America more than any other country in the world; and exactly for this reason, I insist on the right to criticize her perpetually." Such bittersweet affairs are bound to turn sour. The first curdling came with The Fire Next Time, a moving memoir, yet shot through with rage and prophetic denunciations. It made Baldwin famous, indeed a celebrity, but it did little, in retrospect, to further his artistic reputation. Increasingly, it seems, he found it impossible to reconcile his private and public roles, his creative integrity and his position as spokesman for his race. Tell Me How Long the Train's Been Gone, for example, his last novel, proved to be little more than a propagandistic potboiler. Nor, alas, are things very much better in No Name In the Street, a brief, rather touchy and self-regarding survey of the awful events of the '60's — the deaths of Malcolm X and Martin Luther King, the difficulties of the Black Panther Party, the abrasive and confused relationships between liberals and militants. True, Baldwin's old verve and Biblical raciness are once more heard in his voice; true, there are poignant moments and some surprisingly intimate details. But this chronicle of his "painful route back to engagement" never really comes to grips with history or the self. The revelatory impulse is present only in bits and pieces. Mostly one is confronted with psychological and ideological disingenuousness — and vanity as well.

Pub Date: May 26, 1972

ISBN: 0307275922

Page Count: -

Publisher: Dial Books

Review Posted Online: Sept. 16, 2011

Kirkus Reviews Issue: May 1, 1972

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HOWARD STERN COMES AGAIN

A surprisingly warm and consistently outspoken retrospective for both fans and celebrity followers.

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The self-described “king of all media” shares personal introspection and favorite celebrity interviews in his first book in two decades.

Stern (Miss America, 1995, etc.) is in top form in this entertaining amalgam of intimate confessional and Q-and-A archive. Opting for an older, wiser perspective this time around, the author strips away the juvenile raunch and sophomoric humor that made his first books runaway bestsellers. The book’s introduction, a meaty, contemplative 19-page affair, finds Stern, 65, candidly discussing his struggles with OCD, random regrets (namely his treatment of Robin Williams and Rosie O’Donnell), greatest moments (interviews with Conan O’Brien and Paul McCartney, animal rescue efforts), his move to SiriusXM in 2006, and the day he inexplicably took a rare show-day off to attend to an undisclosed cancer scare. It’s a kinder, gentler, all-grown-up side of the shock jock, which he credits to aggressive psychotherapy and his second wife, Beth. However, it’s the intimate, provocative celebrity interviews that make up the bulk of this weighty tome and which the author admits “represent my best work and show my personal evolution.” With his advancing age came wisdom, humility, empathy, and a dramatic sea change in the show’s direction and focus, as evidenced in more nuanced, probing interviews with Courtney Love, Joan Rivers, Michael J. Fox, Chris Cornell, and Lady Gaga, among others. Stern introduces each conversation with his personal perspective on the individual and the impression they made. His honest conversations with actors, music legends, and others represent an eclectic cross-section of celebrities, and his questions range from the piercing to the downright ridiculous. Perhaps the book’s most startling interview segments are those with a pre-presidential Donald Trump, whom Stern has interviewed dozens of times. Throughout the book, which is divided into thematic sections (“Sex & Relationships,” “Money & Fame,” “Drugs & Sobriety,” “Gone Too Soon,” etc.), the author’s personal growth and enduring legacy as a broadcast pioneer and unique profiler are on full display.

A surprisingly warm and consistently outspoken retrospective for both fans and celebrity followers.

Pub Date: May 14, 2019

ISBN: 978-1-5011-9429-0

Page Count: 560

Publisher: Simon & Schuster

Review Posted Online: May 20, 2019

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