An earnest, if disjointed, reflection on life’s end and its aftermath.
Hagood explores the nature of life after death in this unconventional collection of prose poems about grief.
“All I want to do since losing my father is molt in my nest,” the author begins this book, which she later describes as a “séance.” In the book’s first section, “Death as the Ulysses of Desperate Housewives,” she tells of grief manifesting as compulsive Google searches about ghosts, binge-reading about death, and translating foreign recipes, then cooking while listening to audiobooks. She makes a list of talking points “in case I ever get to speak to my father again. You never know,” and contemplates how writing can be a kind of time machine, returning her to when her dad was still alive. The second section, “Death as the Beginning of Dracula,” backtracks to her father’s rapid deterioration from cancer: “He’s unconscious, one cyclopean eye ajar but unseeing, still green but clouded,” she reports. His mortality also prompts contemplation about the author’s mother’s eventual demise, then her own: “What if I were to see death as the most gorgeous part of life? Or, more particularly, as something audacious that exceeds life?” she wonders. In the third section, “Death as Furiosa,” set after her dad’s death, Hagood takes a broader look at the world around her, including wars abroad, neighborhood violence, and online vitriol. Throughout, she incorporates philosophy, literature, pop culture, and SF references—from Cicero and Ray Bradbury to Blade Runnerand the Star Warssaga’s Yoda—into her wide-ranging examinations. As a result, the narrative can feel overly scattered at times, veering from film commentary to parenting anecdotes to the consequences of a viral climate change tweet. Hagood’s observations on the parallels between writing and mourning are particularly astute in lines such as “all writers are mediums, talking daily with the deceased, resurrecting, bringing back ghost truths from the underworld.” Her prose poems are equally creative in their descriptions, such as one of New York City as “a dead cement isle” where “commuters step over people sleeping on the subway platform like they were plastic bags.”
An earnest, if disjointed, reflection on life’s end and its aftermath.Pub Date: Jan. 1, 2025
ISBN: 9781963908503
Page Count: 116
Publisher: Spuyten Duyvil
Review Posted Online: Nov. 13, 2024
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A pleasingly unformulaic book of hard-won advice that never rings false.
The comic and television personality turns serious—semi-serious, anyway—in a combination memoir and self-help book.
Handler opens these generally short essays with a memory of childhood that closes with the exhortation to keep the child within us alive into adulthood: “Hold on to that child tightly, as if she were your own, because she is.” The memory soon veers into the comically absurd, with an account of a cocaine-fueled cross-country trip with a random companion who looked like another TV personality: “I don’t know if Dog the Bounty Hunter does copious amounts of cocaine, but he sure looks like he does.” Drugs and juice are seldom far from the proceedings, but therapy is close by, too, and clearly the latter has been of tremendous use, if “exhausting in the sense that every new development or idea led to a period of intense self-awareness followed by waves of acute self-consciousness coupled with endless self-recrimination.” As the anecdotes progress, that intense self-awareness becomes less fraught. Some of her life lessons are drawn from her experiences wrestling with the yips and setbacks of performing before audiences; some turn into knowing one-liners (“I knew if three men in a row told me not to do something, it was imperative that I do the opposite”). Most, even if tongue-in-cheek or rueful, are delivered with a disarming friendliness laced with her trademark archness: Her account of a dinner opposite Woody Allen and daughter/wife Soon-Yi is worth the price of admission alone. In the main, Handler is a cheerleader for everyone worthy of cheers, and especially women. As she writes, encouragingly, “You have misbehaved, and then corrected, and then misbehaved again, and then corrected some more”—and have grown and flourished.
A pleasingly unformulaic book of hard-won advice that never rings false.Pub Date: Feb. 25, 2025
ISBN: 9780593596579
Page Count: 320
Publisher: Dial Press
Review Posted Online: March 4, 2025
Kirkus Reviews Issue: April 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
