Great fun for one-on-one sharing and a perfect toddler storytime selection.
A playful exploration of the body for the littlest learners.
This deceptively simple offering engages toddlers by asking them to participate in the fun by identifying various parts of their bodies and moving them about: “Touch your ears, make them wiggle. / Touch your belly, laugh and giggle. // Touch your mouth, open wide. / Touch your arms, wave side to side.” Periodically, the action is interrupted by a catalog of body parts in the form of a catchy refrain: “Mouth, ears, eyes, nose, // arms, belly, legs, / and ten tiny toes!” The brief, lyrical text, the opportunities for interactivity and the focus on a subject dear to toddlers’ hearts—themselves and all their glorious parts—make this a candidate for repeat readings. The illustrations feature a happy, shaggy-haired Caucasian toddler and his little teddy bear. The backgrounds are kept simple, focusing readers’ attention on the little one as he explores his body as the text directs. In a sweet conclusion, the toddler embraces his teddy, no body part to highlight here—only “a love that grows and grows.”
Great fun for one-on-one sharing and a perfect toddler storytime selection. (Board book. 3 mos.-3)Pub Date: Jan. 7, 2014
ISBN: 978-0-545-53601-1
Page Count: 22
Publisher: Cartwheel/Scholastic
Review Posted Online: Dec. 23, 2013
Kirkus Reviews Issue: July 1, 2014
BOOK REVIEW
BOOK REVIEW
This delightful debut welcomes readers in like a house filled with love.
A 13-year-old biracial girl longs to build the house of her dreams.
For Lou Bulosan-Nelson, normal is her “gigantic extended family squished into Lola’s for every holiday imaginable.” She shares a bedroom with her Filipina mother, Minda—a former interior-design major and current nurse-to-be—in Lola Celina’s San Francisco home. From her deceased white father, Michael, Lou inherited “not-so-Filipino features,” his love for architecture, and some land. Lou’s quietude implies her keen eye for details, but her passion for creating with her hands resonates loudly. Pining for something to claim as her own, she plans to construct a house from the ground up. When her mom considers moving out of state for a potential job and Lou’s land is at risk of being auctioned off, Lou stays resilient, gathering support from both friends and family to make her dream a reality. Respicio authentically depicts the richness of Philippine culture, incorporating Filipino language, insights into Lou’s family history, and well-crafted descriptions of customs, such as the birdlike Tinikling dance and eating kamayan style (with one’s hands), throughout. Lou’s story gives voice to Filipino youth, addressing cultural differences, the importance of bayanihan (community), and the true meaning of home.
This delightful debut welcomes readers in like a house filled with love. (Fiction. 8-13)Pub Date: June 12, 2018
ISBN: 978-1-5247-1794-0
Page Count: 240
Publisher: Wendy Lamb/Random
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
A comical, fresh look at crayons and color.
Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color. (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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