A robust lead-in to Cheryl Harness’ They’re Off! (2002) and other more detailed histories.
Horses and rider tackle time, distance, and the elements in this tribute to a legendary Pony Express gallop.
As Rose freely admits, “legendary” may be just the word for Cody’s claim to have been a Pony Express rider. Nonetheless, in galloping rhyme she sends him on his way across Wyoming and back in a dawn-to-dawn dash that Lillington illustrates with scenes of the teenager pounding along past buttes and buffalo, through heavy rain, beneath orange and star-speckled skies in turn. It’s a horsey sort of episode, as both words and pictures specify breeds or types with each change of mount along the trail: “Trade a Mustang for a Morgan, / ’Loosa for a Thoroughbred. / Racing, flying, / ever riding, / hurry, hurry on ahead.” A double-page spread that presents eight separate vignettes of Cody on eight different horses as the sky darkens provides effective visual counterpoint to the verse. A final view of the horse and rider wearily finishing their long route as the sun begins to rise once again gives way to a painted portrait of the grown Buffalo Bill resplendent in his buckskins. The author fills in the historical details in an afterword with period illustrations. Human figures in all the pictures are white.
A robust lead-in to Cheryl Harness’ They’re Off! (2002) and other more detailed histories. (afterword) (Picture book. 6-8)Pub Date: Oct. 1, 2017
ISBN: 978-0-8075-7068-5
Page Count: 37
Publisher: Whitman
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
One of a rush of commemorations of Apollo 11’s semicentennial, but this is more about father-daughter intimacy than “One...
A child’s tribute to one of the thousands of blue-collar workers who have made the space program possible.
Though Dempsey looks back on family history in highlighting the small but significant contribution that her father and other workers in a South Carolina textile factory made by manufacturing one layer of spacesuit material, she holds off describing the technological feat or even placing it in historical context until her afterword. Instead, in all that comes before she mainly focuses on the admiration any child might feel for a hardworking dad. Thus, despite a climactic gathering before the TV to watch Walter Cronkite before Green cuts away to Neil Armstrong’s swaddled figure, there are no narrative details that bring either the times or specifics of work in the factory itself to life. When the child asks whether her father is proud to be part of a great endeavor he answers, “Only proud to make a living, Marthanne. Only proud to make a living.” Aside from dressing father and daughter in period clothing (when the latter isn’t visualizing herself floating in space), Green doesn’t do much to pick up the slack—one glimpse inside a factory furnished with vaguely drawn hand looms, an illegibly tiny labeled sketch of a spacesuit, and, later, a stack of old-time TVs as a tailpiece notwithstanding. Marthanne and her family are white; some group scenes include black background characters.
One of a rush of commemorations of Apollo 11’s semicentennial, but this is more about father-daughter intimacy than “One small step….” (Picture book. 6-8)Pub Date: May 7, 2019
ISBN: 978-0-7352-3074-3
Page Count: 32
Publisher: Dial Books
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The importance of freedom in Tanzania comes through clearly.
An informative story, told in both English and Nkongolo’s Swahili translation, about the Chagga tribe, who live on the slopes of Mount Kilimanjaro, the tallest mountain in Africa.
Ngama, son of the village chief, notices a gathering in the village and learns that the country’s leader has come to tell the Chagga that the Republic of Tanzania is now independent of white rule. The men must now climb the mountain and mark their independence with a torch. Ngama assumes he will go, but his father says it is only for men, and Ngama is not yet a man. Crestfallen but undeterred, Ngama sneaks out of the village behind the men the next morning, and although they all eventually know he has followed them into the rugged terrain of the snow-capped mountain, no one makes him turn back. Keeping his distance, he receives only minimal help from the men despite being underdressed for cold weather, underprepared in terms of food and provisions for the journey, and exhausted from trying to breathe at high elevations. But in the end, Ngama receives affirmation of his leadership potential because of his determination. Campbell’s colorful and highly textured paintings capture the vastness of the terrain and the vibrancy of the characters’ patterned clothing. An afterword provides further information about Kilimanjaro, the Chagga, and Tanzania’s first president, Julius Nyerere.
The importance of freedom in Tanzania comes through clearly. (Picture book. 6-8)Pub Date: Oct. 1, 2019
ISBN: 978-1-4598-1700-5
Page Count: 32
Publisher: Orca
Review Posted Online: Aug. 11, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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