This very satisfactory collection of essays celebrates the author's seventh decade as she looks back on it from her serene and energetic eighth. Heilbrun is a former Columbia University professor and a writer noted both for her feminist scholarship (Writing a Woman's Life, 1988, etc.) and her Amanda Cross mysteries. Satisfactorily married for half a century, the mother of three grown children, and a grandmother, she nevertheless planned to commit suicide when she reached 70. But when that magic number arrived, she discovered in looking back that living through her 60s had been an ``astonishing'' pleasure. Unlike some of her peers—Doris Grumbach and May Sarton among them—she has not grown crankier as she has grown older, and she attributes that in part to a life with ``many advantages,'' including good health and the discovery of close women friends. At first glance, the essays encompass a broad diversity of subjects, from Bianca the black dog to the joys of E-mail to androgyny and bisexuality (in a liberating section called ``On Not Wearing Dresses''), and including thoughts on living with men and on the fantasies of a lifelong Anglophile. Yet in fact, the range is narrow. Each piece, more or less fruitfully, discusses coming to terms with the past and formulating the terms of the present ``without a constant . . . stream of anger and resentment, without the daily contemplation of power always in the hands of the least worthy.'' In essence, the author describes a state not of growing older, but of being older, a state that incorporates both grace and growth. Drawing elegantly on the poets and authors she has taught and written about, from Andrew Marvell to Gloria Steinem, Heilbrun offers a glimpse not only of the rewards of aging, but of feminist battles fought and won.
Pub Date: April 1, 1997
ISBN: 0-385-31325-X
Page Count: 220
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
BOOK REVIEW
BOOK REVIEW
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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