Next book

MAMA'S WORK SHOES

Not perfect but still soothingly reassuring for children learning to share parents with the workplace.

There's a talkative shoe for every occasion.

Perry the preschooler loves that each kind signals a special time with Mama. Want to cuddle on the couch? Slide into the “swish-swush” slippers. Want to splash in the rain? Pull on the “pat-put” rain boots. Chatty footgear carries Perry happily from one mother-daughter adventure to another—until the arrival of the dreaded “click-clack” shoes. These strange high-heeled contraptions don’t take Mama to Perry, they take Mama away from Perry. After tearful fits and starts and plenty of patience from Mama and Nan, the little girl accepts that even though the click-clack shoes take her mother to work, they also bring her back in time for some bare foot-to-foot “tickle-tickle” sharing. Levis’ concept of associating specific shoes with specific bonding activities is charming, but it’s undercut by rampant onomatopoeia. Instead of limiting the sounds only to shoes, which are nearly protagonists in and of themselves, the text gives voices to the door, the kiss, and more. This, coupled with overlong intervals with Nan, somewhat disrupts both the narrative flow and the emotional impact. Brantley-Newton’s collaged depictions of a middle-class, rambunctious, mixed-race child, her exuberant single mother, and the vivacious Nan (both women of color) are bright and dynamic.

Not perfect but still soothingly reassuring for children learning to share parents with the workplace. (Picture book. 3-5)

Pub Date: Sept. 3, 2019

ISBN: 978-1-4197-2554-8

Page Count: 40

Publisher: Abrams

Review Posted Online: June 15, 2019

Kirkus Reviews Issue: July 1, 2019

Next book

OLIVER AND HIS EGG

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...

Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 18, 2014

Kirkus Reviews Issue: June 1, 2014

Next book

WHY?

A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)

Doctor X-Ray, a megalomaniac with an X-ray blaster and an indestructible battle suit, crashes through the ceiling of the local mall.

Innocent patrons scatter to safety. But one curious child gazes directly at the bully and asks: “Why?” At first, Doctor X-Ray answers with all the menace and swagger of a supervillain. The curious child, armed with only a stuffed bear and clad in a bright red dress, is not satisfied with the answers and continues asking: “Why?” As his pale cheeks flush with emotion, Doctor X-Ray peels back the onion of his interior life, unearthing powerful reasons behind his pursuit of tyranny. This all sounds heavy, but the humorously monotonous questions coupled with free-wheeling illustrations by Keane set a quick pace with comical results. At 60 pages, the book has room to follow this thread back to the diabolical bully’s childhood. Most of the answers go beyond a child’s understanding—parental entertainment between the howl of the monosyllabic chorus. It is the digital artwork, which is reminiscent of Quentin Blake’s, that creates a joyful undercurrent of rebellion with bold and loose brush strokes, patches of color, and expressive faces. The illustrations harken to a previous era save for the thoroughly liberated Asian child speaking truth to power.

A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)

Pub Date: Oct. 1, 2019

ISBN: 978-1-4521-6863-0

Page Count: 60

Publisher: Chronicle Books

Review Posted Online: June 24, 2019

Kirkus Reviews Issue: July 15, 2019

Close Quickview