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THE SPY WHO PLAYED BASEBALL

A captivating true story of a spy, secret hero, and baseball player too.

Moe Berg was a decent defensive catcher who struggled at the plate in the 1920s and ’30’s—it’s his post-baseball career that fascinates.

He was intellectually gifted and was one of only a few Jewish students at Princeton, where Jews were prohibited from joining social clubs. However, they were happy to have him on their baseball team. Upon graduation, he began his 15-year major league career. At a time when major league baseball players were white, Christian, and, with few exceptions, poorly educated, Berg was Jewish, a college graduate, a speaker of many languages, and attending law school. In 1941, he became a spy for the OSS, the forerunner of the CIA. His knowledge of languages and world cultures was an asset, as was his seeming fearlessness: as a Jewish American, he would be in particularly grave danger if caught. He parachuted into occupied Yugoslavia and made contact with resistance groups. He spied on a German physicist to determine Nazi nuclear capability. Berg always remained secretive, and there’s little information about his postwar life, but that’s the way he wanted it. Jones gives readers the sketchy details of Berg’s life and exploits in carefully selected anecdotes, employing accessible, straightforward syntax. Cherrington’s bright cartoons capture the events and subtly convey Berg’s differences from the gentiles who surround him.

A captivating true story of a spy, secret hero, and baseball player too. (afterword) (Picture book/ biography. 9-12)

Pub Date: March 1, 2018

ISBN: 978-1-5124-0313-8

Page Count: 36

Publisher: Kar-Ben

Review Posted Online: Jan. 21, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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WISH I WAS A BALLER

A tighter focus would make this fascinating life story even more intriguing.

In this graphic memoir by sports journalist Shah, a ninth grader pursues his passion in the face of familial expectations pushing him toward a medical career, while also navigating the perils of high school social life.

It’s 1995, and Indian American Amar is desperate to meet the Chicago Bulls—Michael Jordan, in particular—when they stop by his Orlando, Florida, school. A lucky break leads him to his first sports interview, with Phil Jackson, and his tenacity takes him further, leading to multiple conversations with Shaquille O’Neal. But Amar’s luck in journalism doesn’t spill over to his relationship with his crush, blond Kasey Page (“like a mixture of Cameron Diaz, Tinkerbell, and heaven”), or his efforts to remain close with best friends Rohit and Cherian, who start spending more time with other classmates. The work relies on captions as much as plot developments to propel the story. It also follows a broad cast of characters—close and former friends, antagonists, supportive adults, and famous athletes—who appear in multiple storylines. The story accurately depicts the complexities of life as a young teen, though overlapping life challenges pull it in multiple directions, leaving some threads underexplored and hastily wrapped up. Doucet illustrates the characters using loose, disjointed outlines that give the artwork a sense of movement, and the colorful backgrounds use patterns and action lines to indicate a wide array of emotions.

A tighter focus would make this fascinating life story even more intriguing. (author’s note, photographs) (Graphic memoir. 9-12)

Pub Date: Aug. 5, 2025

ISBN: 9781546110514

Page Count: 304

Publisher: Graphix/Scholastic

Review Posted Online: June 13, 2025

Kirkus Reviews Issue: July 15, 2025

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DANCING WHEELS

A stereotype about people with disabilities is shattered by this introduction to a dance company known as Dancing Wheels, a group composed of “sit down” and “stand-up” dancers. The story begins with Mary Fletcher-Verdi, born with spina bifida, a condition that causes weakness in the legs and spine. Mary always wanted to dance, and, encouraged by a family who focused on what she could do rather than what she couldn’t, she studied the art and eventually formed a mixed company, some who dance on their legs, and some who dance in wheelchairs. What she accomplished can be seen in this photo journal of the group’s dance workshop in which beginners and experienced dancers study and rehearse. Along the way, McMahon (One Belfast Boy, 1999, etc.) intersperses the history of the group, some details about the dancers, their families, and the rehearsal process that leads up to the final performance. Three children are featured, Jenny a wheelchair dancer, Devin, her stand-up partner, and Sabatino, the young son of Mary’s partner. The focus on these youngsters gives the reader a sense of their personalities and their lives with their families. Godt’s (Listen for the Bus, not reviewed, etc.) color photographs detail every aspect of the story and show the dancers at home and in rehearsal, interacting with each other, having fun, and finally performaning. They convey the dancer’s sense of joy as well as the commitment to the dance as an art form felt by the adult directors and teachers. An excellent book for helping children and adults expand their understanding about the abilities of the “disabled.” (Nonfiction. 7-12)

Pub Date: Sept. 1, 2000

ISBN: 0-395-88889-1

Page Count: 48

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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