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EVERYBODY CURSES, I SWEAR!

UNCENSORED TALES FROM THE HOLLYWOOD TRENCHES

Though her approach might be a "shock to the system" for some, it will be crass and tedious to many.

The career arc of a TV personality who has "made a career and an art form out of swearing."

First-time author Keagan—the host and producer of VH1's Big Morning Buzz Live and the co-creator and lead anchor of YouTube's No Good TV—has thrived with her alternative to the tame, publicist-approved celebrity interview; instead, she encourages her invitees to be spontaneous and unfiltered, including the freedom to curse. When she tells her guests that "anything goes," they drop their guards and admit they feel liberated. While they are unrestricted, the challenge for her was to walk “a fine line between being fun & friendly, flirty & filthy, and being respectable…while I was being R-rated, the goal for me and my writers was to do it with intelligence and precision. More Howard Stern than Stuttering John.” Through her thousands of interviews, Keagan has learned that celebrities have "a penchant for profanity,” and she encourages readers to embrace vulgarities and reject prudish, proper language. Under the pretense of being authentic, the author describes Hollywood players and the pecking order with hundreds of inane synonyms for sex acts and body parts. This extends to dozens of sophomoric expressions for her own breasts. Keagan also includes several interview transcripts (Sandra Bullock, Nelly, Matt Damon, Quentin Tarantino, and others); unfortunately, they aren't especially humorous on the page and will make readers wonder if they were funnier on-screen. Despite the author’s endless enthusiasm and claims that these conversations were transgressive, they just don’t translate to print. Readers who agree with Keagan's premise that "people tend to get too hung up on words instead of the intent behind them”—or enjoy reading dozens of instances of celebrities swearing—will find plenty to entertain, but the author’s lack of sophistication and pointed social commentary make this 400-plus-page book a chore.

Though her approach might be a "shock to the system" for some, it will be crass and tedious to many.

Pub Date: Jan. 10, 2017

ISBN: 978-1-250-02620-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 8, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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