“Is there anything more heartbreaking than drowning in sight of land?” asks our narrator—and we know the answer. An elegant...
A bestselling Danish novel, by journalist and foreign correspondent Jensen, that chronicles the long-suffering inhabitants of a port city over the course of a century.
Call him Laurids, one of the two kinds of people who populate Jensen’s Homeric catalogue: the drowned and the saved, the latter of whom usually wind up drowned anyway. Laurids Madsden “went up to Heaven and came down again, thanks to his boots,” as Jensen whimsically writes—though, he adds, Laurids never got farther north than the top of his main mast before death spat him back out. Laurids is a veteran of wars and long circumnavigations of the globe, and, now a captain in middle age, childless and unmarried, he faces the difficult task of figuring out how to move about on the dry land of his home. Says one of his neighbors, “You call Marstal a sailors' town, but do you know what I call it? I call it a town of wives. It’s the women who live here. The men are just visiting.” Those women, Jensen’s omniscient narrator tells us, “live in a state of permanent uncertainty,” for those men are in the habit of disappearing for two or three years at a time and battling very long odds of survival, to say nothing of heavily armed Germans. Hope is either a greening plant or an open wound, the narrator adds, and so the people of Marstal go about their business not quite knowing who among them is living or dead. Jensen (I Have Seen the World Begin: Travels Through China, Cambodia, and Vietnam, 2002, etc.) peoples his long, expertly told saga with figures from Danish history as well as of his own invention, from Crown Prince Frederik to a ship’s captain who “remained equally pale in summer and winter, in northern hemisphere and southern,” and all with the usual frailties and foibles. Jensen is a sympathetic storyteller with an eye for the absurd, with the result that if this novel descends from Moby-Dick, it also looks to The Tin Drum for inspiration.
“Is there anything more heartbreaking than drowning in sight of land?” asks our narrator—and we know the answer. An elegant meditation on life, death and the ways of the sea.Pub Date: Feb. 9, 2011
ISBN: 978-0-15-101377-7
Page Count: 688
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 15, 2010
BOOK REVIEW
BOOK REVIEW
A mother and her child-prodigy daughter struggle to survive the Holocaust by telling stories and remembering the power of...
Rosner’s debut novel is a World War II story with a Room-like twist, one that also deftly examines the ways in which art and imagination can sustain us.
Five-year-old Shira is a prodigy. She hears entire musical passages in her head, which “take shape and pulse through her, quiet at first, then building in intensity and growing louder.” But making sounds is something Shira is not permitted to do. She and her mother, Róża, are Jews who are hiding in a barn in German-occupied Poland. Soldiers have shot Róża’s husband and dragged her parents away, and after a narrow escape, mother and daughter cower in a hayloft day and night, relying on the farmer and his wife to keep them safe from neighbors and passing patrols. The wife sneaks Shira outside for fresh air; the husband visits Róża late at night in the hayloft to exact his price. To keep Shira occupied and quiet the rest of the time, Róża spins tales of a little girl and a yellow bird in an enchanted but silent garden menaced by giants; only the bird is allowed to sing. But when Róża is offered a chance to hide Shira in an orphanage, she must weigh her daughter’s safety against her desire to keep the girl close. Rosner builds the tension as the novel progresses, wisely moving the action out of the barn before the premise grows tired or repetitive. This is a Holocaust novel, but it’s also an effective work of suspense, and Rosner’s understanding of how art plays a role in our lives, even at the worst of times, is impressive.
A mother and her child-prodigy daughter struggle to survive the Holocaust by telling stories and remembering the power of music.Pub Date: March 3, 2020
ISBN: 978-1-250-17977-7
Page Count: 304
Publisher: Flatiron Books
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
As authoritative and compelling as Mary Renault’s renowned novels set in the ancient world. One hopes we may learn more...
The fourth century BCE comes eccentrically alive in this award-winning debut historical novel from a Canadian short story writer (The Best Thing for You, 2004, etc.).
Given the subtitle, it risks hubris from the outset, as the noted philosopher (who narrates) describes his journey from Athens (accompanied by his young wife Pythias and “apprentice” Callisthenes) to Macedon, at the imperious request of King Philip of Macedon. The two had been friends as boys, when Aristotle’s father was physician to Philip’s father the king, but have grown apart in every imaginable way. The philosopher’s beloved Athens is only a pale shadow of the glory that was Greece, and Philip’s royal city Pella is the base for an empire expanded by perpetual conquest. Aristotle has been enlisted to tutor Philip’s younger son Alexander, the quick-witted, energetic and temperamental heir to his father’s dream of unlimited aggrandizement. But before this impressively researched, vividly detailed novel settles into a contest of wits and wills between determined teacher and often unmanageable student, Lyon builds a fascinating portrait of the Athenian sage. While insisting that empirical evidence must be amassed and comprehended before theories can be formed, and preaching the need to find a middle ground (or “golden mean”) between any and all extremes, this Aristotle is revealed as a sensualist gratified and enthralled by the world’s often inexplicable plenitude, whether he’s interpreting tragic drama or examining feces or pondering the movements of celestial bodies; demonstrating his emphatically earthbound affection for the bewitching Pythias; or awakening the potential for rationality in Alexander’s seemingly retarded older brother Arrhidaeus (perhaps the novel’s most sympathetic character). In her most daring leap, Lyon examines with perfect tact and logic infrequently scrutinized evidence that suggests that this master of analysis and reason may have been clinically bipolar.
As authoritative and compelling as Mary Renault’s renowned novels set in the ancient world. One hopes we may learn more about Lyon’s immeasurably brilliant, unflappably human Aristotle.Pub Date: Sept. 10, 2010
ISBN: 978-0-307-59399-3
Page Count: 288
Publisher: Knopf
Review Posted Online: Aug. 24, 2010
Kirkus Reviews Issue: Sept. 15, 2010
BOOK REVIEW
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