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SONNY SAYS MINE!

Valuable only as the most explicit moral lesson.

A kid finds a toy, becomes smitten with it, and lies about having it.

Sonny’s an orange fox who stands upright and wears a shirt and knit cap. At the playground, Sonny finds a pink toy bunny in a yellow polka-dot dress. “Ooh!” he says, naming it Bun-Bun and playing with it. When a yellow rabbit named Boo in a black-and-red dress arrives in search of “her favorite pink bunny,” the arc turns to deception. Sonny hides the toy and explicitly lies to try to keep it. After prolonged dishonesty and some weird, insistent narration—“Will Sonny do the right thing? Will he? Will he?”—he does. As a lesson, this might serve; as literature, it’s direct and dull. Mildly intriguing is the character Meemo, inhabiting a gray area between pet dog and anthropomorphized animal like Sonny and Boo. On one hand, Meemo sniffs Bun-Bun, can’t speak words, and barks “WOOF!” On the other hand, the creature is the story’s moral center, glowering at Sonny’s deception—standing upright with hands on hips—and urging him to do right. Illustrations feature bold black lines and flat colors in flat spaces; short black dashes depicting the characters’ fur are sharp, unblended, and visually dominant such that everyone appears stubbly.

Valuable only as the most explicit moral lesson. (Picture book. 3-6)

Pub Date: Aug. 3, 2021

ISBN: 978-1-5476-0580-4

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: June 1, 2021

Kirkus Reviews Issue: June 15, 2021

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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