A spirited, educative contribution to both theater history and Black history.
A celebration of a groundbreaking musical that stands as a landmark in Black American cultural history.
Journalist and historian of popular culture Gaines offers an animated, well-researched history of the creation, production, and long afterlife of Shuffle Along, a show that burst into the New York entertainment world in 1921 and was revived, in many iterations, as recently as 2016. Central to the story are four Black entertainers: composers and lyricists Noble Sissle and Eubie Blake and comedians Flournoy Miller and Aubrey Lyles. Multitalented and determined, the men managed to transcend the racial prejudice that dominated the entertainment world at a time when Black characters—even when played by Blacks themselves—habitually darkened their skin with burnt cork. “They would cover their faces until they were the color of tar,” Gaines writes, “leaving just enough space for them to paint on a wide mouth with bright red or white exaggerated lips. The look would become complete with a natty wig, tattered clothing, white gloves, on occasion, and a heavy Southern drawl with English so broken, it was hardly intelligible.” While all-Black musicals and vaudeville acts were popular with diverse audiences in the early 1900s, they were characterized by minstrelsy, much to the growing resentment of the Black community. Shuffle Along was revolutionary, featuring “a fast-moving syncopated jazz score with snappy lyrics, beautiful brown dancers, political satire,” and a book that challenged social taboos. Opening at a time of intensified racial violence, particularly directed at Black soldiers returning from World War I, the musical’s success surprised everyone who participated. Gaines recounts in thorough detail the show’s performances, show-stopping songs, critical reception, financial woes and triumphs, and tours and singers, some of whom went on to stardom—e.g., Josephine Baker, who was hired for the chorus and, in 1925, found fame in Paris; and Florence Mills, who became one of the most popular Black entertainers in the world.
A spirited, educative contribution to both theater history and Black history.Pub Date: May 25, 2021
ISBN: 978-1-4926-8881-5
Page Count: 352
Publisher: Sourcebooks
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
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