Simple but clever: a good egg.
A counting primer follows the daring escape of 10 chickens from the coop.
One chicken holding a twig like a rifle starts the count by “standing guard.” Then two vigilant chickens break out binoculars and “scan the yard.” “Three chickens hatch the plan. / Four chickens on the lamb.” (Quite literally: They are on top of a lamb.) As the text counts up, more and more chickens join, each with an important job to do. When the total finally reaches 10, they squawk and flap their way to an adventure beyond the barnyard. Ten chickens devour soft pretzels, go shopping and ice-skating, and see a show (Bantam of the Opera, of course). After all that excitement, they are exhausted. Counting back down, they head for home. Unfortunately, they can’t all fit into a cab, so they must come up with other creative modes of transportation. Berry’s snappy rhymes (some brilliantly unexpected: “Five chickens tippy TIPtoe. / Six chickens incognito”) match the frenetic energy of the cunning poultry. But it is Alder’s boldly outlined cartoon chickens that steal the show. Decked out in caps, roller-skates, and super spy sleuth gear, they each have distinct personalities, which readers can trace through the pages. One uses a skateboard; another rides in a tagalong behind an older chicken’s bike.
Simple but clever: a good egg. (Picture book. 3-6)Pub Date: Oct. 29, 2019
ISBN: 978-1-250-30679-1
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: Aug. 25, 2019
Kirkus Reviews Issue: Sept. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.
The Crayons head back to class in this latest series entry.
Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)Pub Date: May 16, 2023
ISBN: 9780593621110
Page Count: 32
Publisher: Philomel
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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