Evans’s thickly brushed scenes of African-American soldiers with downcast eyes, clustered beneath rippling Stars and Stripes, lend an air of ritual solemnity in keeping with Clinton’s inspiring commemoration of Sgt. William H. Carney’s (now) renowned act of heroism in the Civil War: planting the flag on the ramparts of Fort Wagner during the 54th Massachusetts’s bloody charge, then, though bearing multiple wounds, carrying it to safety in the ensuing retreat. For this, Carney was awarded the Congressional Medal of Honor almost 40 years later—the first African American to receive one. Though Clinton occasionally departs from the historical record—billing the attack as the soldiers’ “first battle” (it wasn’t), and adding thoughts and dialogue—her account ably captures the violence and confusion of battle, as well as the courage displayed by Carney and his fellow troopers. A strong lead-in to Clinton Cox’s Undying Glory: The Story of the Massachusetts 54th Regiment (1991) or Clinton’s own The Black Soldier: 1492 to the Present (2000). (time line, resource list) (Picture book/nonfiction. 7-10)
Pub Date: June 1, 2005
ISBN: 0-06-050428-5
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2005
Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)
Pub Date: Sept. 26, 2005
ISBN: 0-618-44887-X
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
Spinning lively invented details around skimpy historical records, Taylor profiles the 19th-century chef credited with inventing the potato chip. Crum, thought to be of mixed Native-American and African-American ancestry, was a lover of the outdoors, who turned cooking skills learned from a French hunter into a kitchen job at an upscale resort in New York state. As the story goes, he fried up the first batch of chips in a fit of pique after a diner complained that his French fries were cut too thickly. Morrison’s schoolroom, kitchen and restaurant scenes seem a little more integrated than would have been likely in the 1850s, but his sinuous figures slide through them with exaggerated elegance, adding a theatrical energy as delicious as the snack food they celebrate. The author leaves Crum presiding over a restaurant (also integrated) of his own, closes with a note separating fact from fiction and also lists her sources. (Picture book/nonfiction. 7-9)
Pub Date: April 1, 2006
ISBN: 1-58430-255-0
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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