A character-driven story that effectively captures the harrowing violence of the early-20th-century South.
In Gentile’s historical novel, a Georgia town can’t stop the coming of Jim Crow, or the violence it brings.
Before his death in 1930, Taylor Crawford, who was White, used his money and influence to wield authority in Martonsville that kept it free of racist laws and policies. Numerous Black families live on the property of his Mearswood Island Plantation, and his adopted orphan daughter, Promise Mears Crawford, who’s White, works side by side with the farm’s Black foreman, Fletcher Hart. From Taylor, Fletcher learned history, philosophy, and the psychology of Sigmund Freud, and he looks forward to attending Harvard Medical School to become a doctor. Fletcher’s “mam,” Mother Hart, is a midwife and healer, and delivers babies, cures, and salves in Martonsville to the town’s Black and White citizens. Promise inherits the plantation when Taylor dies, and at first, her only problems are the unexpected discovery of mismanagement of the farm’s finances, and her own looming marriage to a local named Andrew Gills.Yet almost immediately, she faces the serpent that Taylor worked so hard to keep out of his Eden: Daffron Mears, a violent supporter of Jim Crow policies whose family once owned the plantation, which he seeks to reclaim. Over the next three days, Daffron’s actions result in a death, a school burning, and the revelation of some of Martonsville’s secrets, including Promise’s true parentage. Gentile brings 1930s Georgia to life, presenting a humid, sweaty town whose characters are tangled up in local history and have unexpected connections. There are no saints in Martonsville, just flawed human beings, and as such, the characters have depth and nuance. Promise’s determination proves to be an impediment to her relationships but gives her inner strength, and Daffron, a sadistic, evil man, is revealed to be a victim of abuse himself. The book lays bare the cruelty and hypocrisy of Jim Crow throughout the novel, and its greatest strength is in how it sets up mysteries and gut-punch reveals. Readers will sometimes need a moment to catch their breath, even as they keep turning pages.
A character-driven story that effectively captures the harrowing violence of the early-20th-century South.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Booklocker.com, Inc.
Review Posted Online: Aug. 19, 2021
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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