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THOMAS'S TRAVELS IN BOOKLAND

Culturally and aesthetically leagues away from such American outings as Miss Smith's Incredible Storybook by Michael Garland...

Arty, heavily worked pictures give this sketchy account of a child’s first visit to a public library a distinctively sophisticated look and tone.

Surrounded by tall piles of volumes that are blurred to anonymity, Thomas first brings a scarily feral wolf and a red-hooded woman with heavy eye makeup to life from a collection of fairy tales. He flees by choosing appropriate words from a dictionary and atlas and sails past “treasure” and a “mermaid” to other quick adventures. Though necessary to follow the storyline, the text (available in English or French) is a secondary element that appears on overlaid white strips and has to be manually summoned into view with the tap of an icon. Perhaps as a result of translation, it runs to wooden lines like “Thomas hastily picks up another book and gleans some more sea related words to help him navigate.” Richard mixes heavily processed photos, paint applied in broad daubs and swirls, and flat cartoon figures into grainy, visually complex compositions. Colors transform, floating letters form into words, and little robots or other figures drift past or pop into view. In addition to an optional audio narration, chuckles and other low-key sound effects join a short loop of pleasant orchestral background music. In the end, Thomas writes his way back into the library and departs with his miniskirted mom on a wink from the voluptuously tressed librarian.

Culturally and aesthetically leagues away from such American outings as Miss Smith's Incredible Storybook by Michael Garland (2003), though it springs from the same root. (iPad storybook app. 6-8)

Pub Date: July 14, 2012

ISBN: N/A

Page Count: -

Publisher: La Souris Qui Raconte

Review Posted Online: Aug. 7, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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BEST BUNNY BROTHER EVER

A tale of mutual adoration that hits a sweet note.

Little Honey Bunny Funnybunny loves baseball almost as much as she loves her big brother P.J.—though it’s a close-run thing.

Readers familiar with the pranks P.J. plays on his younger sibling in older episodes of the series (most illustrated by Roger Bollen) will be amused—and perhaps a little confused—to see him in the role of perfect big brother after meeting his swaddled little sister for the first time in mama’s lap. But here, along with being a constant companion and “always happy to see her,” he cements his heroic status in her eyes by hitting a home run for his baseball team and then patiently teaching her how to play T-ball. After carefully coaching her and leading her through warm-up exercises, he even sits in the stands, loudly cheering her on as she scores the winning run in her own very first game. “‘You are the best brother a bunny could ever have!’” she burbles. This tale’s a tad blander compared with others centered on P.J. and his sister, but it’s undeniably cheery, with text well structured for burgeoning readers. The all-smiles animal cast in Bowers’ cartoon art features a large and diversely hued family of bunnies sporting immense floppy ears as well as a multispecies crowd of furry onlookers equally varied of color, with one spectator in a wheelchair.

A tale of mutual adoration that hits a sweet note. (Early reader. 6-8)

Pub Date: Jan. 6, 2026

ISBN: 9798217032464

Page Count: 48

Publisher: Random House

Review Posted Online: March 17, 2026

Kirkus Reviews Issue: May 1, 2026

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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