A tender and rigorous debut from the new Didion of the Asian diaspora.
The members of a family of Vietnamese refugees—all wandering souls in their own ways—seek to understand the past while searching for hope in the present.
“Everything will be alright, you’ll see,” 16-year-old Thi Anh promises her younger sister Van one night in 1978 as she and two of her brothers leave Vung Tham for a perilous boat journey to Hong Kong. Her parents have promised to follow with her other siblings, and once the family reunites, they plan to make their way together to an uncle’s house in America. Three months later, though, Anh and her brothers are orphaned, and they must make their way alone through refugee camps toward their assigned resettlement location in England. As the siblings adapt to a new language and culture, they also must struggle against the prejudice tacitly accepted by a Thatcher-ite government that hides its own hostility beneath a hospitable veneer. Framed by the first-person narrative of Anh’s writer daughter Jane in the present day, the novel shifts among multiple perspectives, including that of Anh; her daughter Jane, writing from the present day; the ghost of her brother Dao; two American soldiers involved in the real-life Operation Wandering Soul in 1967 Vietnam; and found historical documents. Pin handles the alternating perspectives skillfully, though Jane’s voice is the most fully lived in and original, offering a tender and rigorous exploration of the stakes of writing about trauma as she tries to “carve out a story between the macabre and the fairy tale, so that a glimmer of truth can appear.” In her meditations on storytelling, Jane recalls Joan Didion, among other literary greats, an invocation that could feel clichéd. Pin earns it, however, as Jane delves into the cultural, psychological, and political stakes of grief and what happens when writing about the past “[rips] open wounds” she never knew she had.
A tender and rigorous debut from the new Didion of the Asian diaspora.Pub Date: March 21, 2023
ISBN: 9781250863461
Page Count: 240
Publisher: Henry Holt
Review Posted Online: Feb. 7, 2023
Kirkus Reviews Issue: March 1, 2023
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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