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JEAN-LUC PERSECUTED

Translated for the first time in English, Ramuz’s slender story will interest students of early European modernism.

Cheerless novel of lost love and madness in the Alps.

Jean-Luc Robille is a giant of a man, blessed with a big baby who now sleeps soundly in a larch crib that Jean-Luc has lovingly crafted himself. His wife, Christine, is beautiful and willful, and no sooner is Jean-Luc out the door to visit a friend than she is canoodling with another man in their mountain village. When Jean-Luc learns of the affair, he confronts her, and she haughtily reminds him of what she said when he proposed to her: “I like Augustin better, and he’s asked me too, but his father is against it because I’m too poor, and I’ve had enough of being a servant in other people’s homes, so let’s get engaged if you’d like; but if Augustin wants to kiss me, I’ll let myself be kissed.” Published in French in 1908, Ramuz’s modernist novel was certainly shocking then, and if it seems a little staid now, it has the class-conscious bite of Marcel Pagnol’s Manon of the Spring. Things get more shocking when, after time has passed and Christine has supposedly been faithful, Jean-Luc learns that the affair has resumed. He throws her out and then, with the grim logic of a classical tragedy, terrible things begin to happen. It would be a spoiler to say just what, but suffice it to say that Jean-Luc descends into alcoholism and madness, wandering into the village wearing the helmet of a papal Swiss Guard and carrying a burden that, as the gendarmes chase him into the mountains, transforms the novel into a painful tale of isolation and woe that resembles nothing so much as Frankenstein save that Mary Shelley’s monster had a richer vocabulary. Plainly, even matter-of-factly written, the story is a downer but an affecting one that leaves readers wishing that Jean-Luc had had better luck.

Translated for the first time in English, Ramuz’s slender story will interest students of early European modernism.

Pub Date: Aug. 11, 2020

ISBN: 978-1-64605-016-1

Page Count: 152

Publisher: Deep Vellum

Review Posted Online: May 17, 2020

Kirkus Reviews Issue: June 1, 2020

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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