by Chalmers Johnson ‧ RELEASE DATE: March 14, 2000
fundamental problems that have usually forced great powers into catastrophic predicaments.
In this timely book, noted Asian specialist Johnson (Japan: Who Governs?, 1994) addresses the effects of American global
interventionism, delivering a grim warning that the United States will soon experience severe reprisals (or "blowback") from the victims of government policies kept secret from the American people. Johnson begins his book with a confession. He admits that as a naval officer after the Korean War, and as an academic who studied the formation of Chinese communism, he was not in a position to witness the results of American power disinterestedly. In fact, he wholeheartedly shared the assumption that America was the necessary guarantor of world peace. Only after his pathbreaking exploration of Japan's economic renewal in MITI and the Japanese Miracle (1973) did he conclude that the US mission to protect the "free world" was a justification for empire. This insight became especially clear in the wake of the Cold War. That the US has not significantly reduced or adjusted its military position after the fall of the Soviet Union reveals, to Johnson, this country's imperialistic aims. Moreover, he argues that American fat-headedness is not just confined to the upper echelons of the State Department. From rape in Okinawa to the imposition of economic austerity in Indonesia (followed by the quick purchase of its industrial plant on easy terms), Johnson sees the imperialistic mentality as the defining style of American actions and expectations abroad. In order to curb imminent and massive blowback, he calls for a more humble American presence—both militarily and psychologically—in the world. However, one has to wonder about the value of Johnson's dissent: Is humility a realistic solution to the tangle of issues that this nation has persistently involved itself in for half a century? Engrossing and at the same time alarming, Johnson's well-researched book nevertheless presents an easy solution to
fundamental problems that have usually forced great powers into catastrophic predicaments.Pub Date: March 14, 2000
ISBN: 0-8050-6238-6
Page Count: 288
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2000
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by Julie Scelfo illustrated by Hallie Heald ‧ RELEASE DATE: Oct. 25, 2016
An eclectic assortment of women make for an entertaining read.
An exuberant celebration of more than 100 women who shaped the myths and realities of New York City.
In her debut book, journalist Scelfo, who has written for the New York Times and Newsweek, aims to counter histories of New York that focus only on “male political leaders and male activists and male cultural tastemakers.” As the author discovered and shows, the contributions of women have been deeply significant, and she has chosen a copious roster of personalities, gathered under three dozen rubrics, such as “The Caretakers” (pioneering physicians Dr. Elizabeth Blackwell and Dr. Sara Josephine Baker, who enacted revolutionary hygienic measures in early-20th-century tenements); “The Loudmouths” (Joan Rivers and Better Midler); and “Wall Street” (brokerage firm founder Victoria Woodhull and miserly investor Hetty Green). With a plethora of women to choose from, Scelfo aimed for representation from musical theater, law enforcement, education, social justice movements, and various professions and organizations. Some of the women are familiar (Jacqueline Kennedy Onassis for her preservation work; Brooke Astor for her philanthropy), some iconic (Emma Lazarus, in a category of her own as “The Beacon”), and some little-known (artist Hildreth Meière, whose art deco designs can be seen on the south facade of Radio City Music Hall). One odd category is “The Crooks,” which includes several forgettable women who contributed to the city’s “cons and crimes.” The author’s brief, breezy bios reveal quirky facts about each woman, a form better suited to “The In-Crowd” (restaurateur Elaine Kaufman, hardly a crowd), entertainers (Betty Comden, Ethel Waters), and “The Wisecrackers” (Nora Ephron, Tina Fey) than to Susan Sontag, Edith Wharton, and Joan Didion. Nevertheless, the book is lively and fun, with something, no doubt, to pique anyone’s interest. Heald’s blithe illustrations add to the lighthearted mood.
An eclectic assortment of women make for an entertaining read.Pub Date: Oct. 25, 2016
ISBN: 978-1-58005-653-3
Page Count: 304
Publisher: Seal Press
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlanticsenior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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