A rollicking wilderness epic that highlights the camaraderie and conflicts of Nouvelle France.
Bird’s historical novel chronicles the New World exploits of Louis XIV–era soldiers who establish a trading port called Detroit.
In 1680, 12-year-old Jean St. Aubin, from the French town of St. Aubin de Blaye, is eager to join the army upon hearing the stories of young visiting recruiter Antoine de Lamothe Cadillac. Cadillac signs off on St. Aubin’s enlistment papers but says the boy must wait a few years. Two years later, St. Aubin meets up with Cadillac again, this time in the company of a General Frontenac. By 1683, Jean is finally a soldier and is ordered to go to Nouvelle France, which will come to be called Canada. St. Aubin and his new soldier buddies endure a treacherous sea voyage, then, upon arrival, engage in many bloody skirmishes with internally warring Indigenous tribes, some supported by English forces. Many parties, including local clergy, seek to profit from trading routes. St. Aubin, Cadillac, and Gen. Frontenac converge again when Louis XIV taps the general to gain greater dominance in the region. Cadillac is granted a central role in setting up a strategic port in Detroit, with St. Aubin tasked with the dangerous mission of bringing Cadillac’s wife and others to this new outpost. Adventure abounds in this fast-paced, fascinating book by Detroit native Bird, which dramatizes the derring-do of historical figures St. Aubin, Cadillac, Frontenac, and others. St. Aubin in particular gets through many suspenseful ordeals, including stepping up as a ship navigator following mass casualties, fending off many wily tribal warrior attacks, and overseeing a fleet of canoes through rapids and over waterfalls. The author, who plans a follow-up book, also showcases the bonds formed by these intrepid soldiers, with wisecracks muttered during tense moments (“Kick him where his brains are if he starts to fall asleep”) and, by novel’s end, a vision of Detroit as a nexus of multicultural harmony.
Pub Date: July 8, 2023
ISBN: 9798850891718
Page Count: 594
Publisher: Self
Review Posted Online: Feb. 26, 2024
Kirkus Reviews Issue: April 15, 2024
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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