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BLUE ON BLUE

AN INSIDER'S STORY OF GOOD COPS CATCHING BAD COPS

This superb memoir can be read for its sheer entertainment or as a primer on police work—or both.

A recently retired high-ranking New York City police supervisor recounts his career, with an emphasis on his unpleasant but necessary assignment flushing out corrupt cops.

With assistance from journalist Dillow (co-author: Trauma Red: The Making of a Surgeon in War and in America's Cities, 2014, etc.), Campisi offers a compelling, educational, memorable account of his rise through the police department ranks until he was ordered to accept an assignment no cop ever wanted: to become part of the Internal Affairs Bureau, hostilely known among rank-and-file police as "the rat squad." Before his appointment, the bureau had been viewed as a dumping ground for incompetent, lazy, or previously dirty officers. With aggressive support from a new police chief, Campisi found ways to alter the reputation of the bureau while also improving techniques to catch and punish cops who cut corners, stole drugs, or employed excessive force. The author does not shy away from going behind the scenes of infamous cases, including the brutalizing of Abner Louima and the shooting death of Amadou Diallo. Refreshingly, Campisi rarely comes across as defensive about the police department, but he does emphasize that an overwhelming percentage of the 30,000-plus cops on the job in NYC handle their responsibilities as prescribed. Another element that Campisi relates without sounding defensive is the idea of the "blue wall of silence”—good cops protecting corrupt cops. The author writes convincingly that such protective behavior is also common among physicians, lawyers, and many other professions. Though Campisi expected to remain within the Internal Affairs Bureau for two years, he served there for a record-setting 21 years before retiring in 2014. He is worried that since his retirement, the unit's aggressiveness might have been de-emphasized, with a parallel concern that the lax screening of cops might lead to terrorist infiltration of the NYPD.

This superb memoir can be read for its sheer entertainment or as a primer on police work—or both.

Pub Date: Feb. 7, 2017

ISBN: 978-1-5011-2719-9

Page Count: 368

Publisher: Scribner

Review Posted Online: Oct. 10, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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