Actor and sometime author Grodin, droll to the brink of dull, presents some afterthoughts to his previous outing (It Would Be So Nice If You Weren't Here, 1989). In miniature essays, evidently written in airports and hotel rooms, Grodin offers his Philosophy of Life, step by pedestrian step. Judging from his vagrant musings, he's a nice guy in a tough world. The inspirational little pieces tend to sound like a peculiar blend of ``Dale Carnegie Goes to Hollywood (After His Bar Mitzvah)'' and sound bites from Dame Edna Everage. With his classic straight-faced delivery, Grodin, on the topic of ``being friendly,'' wonders: ``What must your average man and woman, who weren't in the movies, [have felt] if I, who was playing leading roles in movies, felt less than well treated?'' His notions are not likely to start controversy. On etiquette: ``I'd rather people just be nice and let it go at that.'' On criticism: ``If we could change half the things wrong with us, the world would be a noticeably better place.'' There are, to be sure, certain revelations befitting a celebrity's work. For example, Grodin tried writing for Michael Dukakis. And he gets all his clothes from the wardrobe department, either free or at half price (``It depends on how they feel about me when the movie's over''). Braggarts, litigation, and ``classical Muzak'' drive the author ``nuts.'' On the other hand, he is forthrightly in favor of honesty, understanding, and, generally speaking (which is his way), goodness. It's all quite affable, and one must have a genial regard for a writer who ingenuously declares that ``Nobody's perfect, especially me and you, so let's not sweat the small stuff.'' Likely to be charmingly promoted on the talk-show circuit, this performance by a fair-to-middling raconteur is what, in the old days of the movies, would have been called a ``programmer'': pleasant enough, but no Academy Award nominee.
Pub Date: April 20, 1992
ISBN: 0-688-11258-7
Page Count: 256
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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