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THE MAN WHO WROTE THE PERFECT NOVEL

JOHN WILLIAMS, STONER, AND THE WRITING LIFE

Though Stoner has proven to be a novel whose compassionate themes have timeless appeal, this portrait of the irksome...

A biography of a nearly forgotten mid-20th-century American writer.

A notable literary sensation of recent years is the belated success of the 1965 novel Stoner. This quietly intense story of an English professor at a small Midwestern college was the third of only four published novels by author John Williams (1922-1994). Though the book was favorably reviewed, it sold poorly. But thanks to the efforts of devoted readers and fellow writers, the book has slowly gained a cult following, which led to a reprint in 2006. The larger success was established first through foreign editions before gaining recognition in the U.S. Literary biographer Shields (Mockingbird: A Portrait of Harper Lee: From Scout to Go Set a Watchman, 2016, etc.) provides a respectful and well-documented yet occasionally lackluster overview of Williams’ life and career. Beginning with his subject’s humble origins in northeast Texas, Shields tracks his experiences in the Army during World War II, early academic and writing pursuits, and then his 30-year tenure as a professor at the University of Denver, where he also served as the director of their creative writing program. Along the way, we see glimpses of Williams’ personal life, but what ultimately emerges is a fairly predictable portrait of yet another heavy-drinking, chain-smoking postwar American white male writer. He sustained a focused eye on his craft but apparently had limited interest in his students or family, and his continual and often desperate ambition for fame somewhat diminished his reputation within his department. His disdain for modernist and experimental writing and his reluctance to reflect directly on his times also left him out of sync with reading interests of that period, including the more provocative work of contemporaries ranging from Norman Mailer to John Barth.

Though Stoner has proven to be a novel whose compassionate themes have timeless appeal, this portrait of the irksome Williams, though brisk and readable, may do little to further advance the book’s cause.

Pub Date: Oct. 15, 2018

ISBN: 978-1-4773-1736-5

Page Count: 304

Publisher: Univ. of Texas

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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GETTING REAL

For the author’s fans.

A Fox News journalist and talk show host sets out to prove that she is not “an empty St. John suit in five-inch stiletto heels.”

The child of devout Christians, Minnesota native Carlson’s first love was music. She began playing violin at age 6 and quickly revealed that she was not only a prodigy, but also a little girl who thrived on pleasing audiences. Working with top teachers, she developed her art over the years. But by 16, Carlson began “chafing at [the] rigid, structured life” of a concert violinist–in-training and temporarily put music aside. At the urging of her mother, the high achiever set her sights on winning the Miss T.E.E.N. pageant, where she was first runner-up. College life at Stanford became yet another quest for perfection that led Carlson to admit it was “not attainable” after she earned a C in one class. At the end of her junior year and again at the urging of her mother, Carlson entered the 1989 Miss America pageant, which she would go on to win thanks to a brilliant violin performance. Dubbed the “smart Miss America,” Carlson struggled with pageant stereotypes as well as public perceptions of who she was. Being in the media spotlight every day during her reign, however, also helped her decide on a career in broadcast journalism. Yet success did not come easily. Sexual harassment dogged her, and many expressed skepticism about her abilities due to her pageant past. Even after she rose to national prominence, first as a CBS news broadcaster and then as a Fox talk show host, Carlson continued—and continues—to be labeled as “dumb or a bimbo.” Her history clearly demonstrates that she is neither. However, Carlson’s overly earnest tone, combined with her desire to show her Minnesota “niceness…in action,” as well as the existence of  “abundant brain cells,” dampens the book’s impact.

For the author’s fans.

Pub Date: June 16, 2015

ISBN: 978-0-525-42745-2

Page Count: 272

Publisher: Viking

Review Posted Online: March 27, 2015

Kirkus Reviews Issue: April 15, 2015

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