A useful writing guide from an experienced practitioner.
A pithy guide for writers and those who teach them.
In a series of short essays, Johnson (Emeritus, Creative Writing/Univ. of Washington; Taming the Ox: Buddhist Stories and Reflections on Politics, Race, Culture, and Spiritual Practice, 2014, etc.), a MacArthur fellow and winner of the National Book Award, Writers Guild Award, and many other honors, draws on his experience as a writer (of novels, essays, screenplays, and philosophy); editor (of the Seattle Review); fiction judge for the National Book Award (twice), PEN/Faulkner Award, Los Angeles Times Book Award, and Pulitzer Prize; and longtime teacher and mentor to offer practical advice on the writing process and the writing life. Although he refers frequently to his mentor John Gardner—“a bluff, combustible, and brilliant teacher”— Johnson admits that he never took a college writing workshop and, in fact, looked on them with disdain. “To my eye,” he writes, “they were dominated by the instructor’s personality and unsolicited political opinions, and took an approach that was highly subjective,” encouraging immature students to “write about what they know.” When he took on the task of teaching creative writing, he designed his workshops to be demanding, with rigorous exercises meant to free students from solipsism. “A Boot Camp for Creative Writing” offers examples of those exercises; “Opening Sentences: A Hundred Rays of Light” includes examples of admirable first lines from mostly canonical novels, including Moby-Dick, Kafka’s The Trial, and Toni Morrison’s Beloved. Echoing many other writing guides, Johnson focuses on the power of precise words, the importance of developing voice, and the joys and challenges of revision. “Sometimes, he admits, “my ratio of throwaway to keep pages is 20:1.” Revision, he adds, “is a combination of cutting away (like sculpting the sentence from stone) and also a constant layering of the language (like working with the sentence as you would clay).” Throughout, Johnson’s voice is generous and warm, even while he is cautioning writers to be their own ruthless editors.
A useful writing guide from an experienced practitioner.Pub Date: Dec. 6, 2016
ISBN: 978-1-5011-4721-0
Page Count: 256
Publisher: Scribner
Review Posted Online: Sept. 5, 2016
Kirkus Reviews Issue: Sept. 15, 2016
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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