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IN GOOD HANDS

THE KEEPING OF A FAMILY FARM

A sober, reflective inquiry into morality and values as practiced and passed down by six generations on a Vermont family farm. To fellow New Englander Thoreau's dictum that ``the mass of men lead lives of quiet desperation,'' Fish (English/Western New England College) offers a credible counterpoint: ``Man's craving for signs and wonders, his capacity for high endeavor, and his perverse susceptibility to boredom lead the less anchored souls to underestimate the value of quiet, orderly lives.'' Fish's grandmother and uncles, who run the family farm with typical Yankee rectitude, are nothing if not anchored. Unquestioning in their dedication to their land and livelihood, unflinching in their loyalty to one another and to a sense of moral and religious obligation, they stand tall in his boyhood memories as people of quiet, heroic dignity. Conflicted between the family tradition of duty and self-sacrifice and the more heady pursuit of self- discovery, the ``vagrant scion'' takes the road less traveled by: intellectual inquiry. By the time a midlife reckoning compels him to revisit the farm, the site of his moral education, he is both estranged from the family's virtuous life (which seems puritanical by contemporary standards) and unhappy with the gradual unraveling of the spiritual and ethical ties that bound it up. Without sentimentality, he conveys the complexity of farm work—the changing rhythms of a day, a season, a year; the diverse trades, from carpentry to financial management to butchery, that farmers must master. More strikingly, he manages to limn beautifully the richness of lives that appear on the surface dull and circumscribed. Nowhere does the probity and forthrightness of his forebears echo more truly than in his prose, which is artful and judicious. More than family history or mere coming-of-age memoir, Fish's first effort is a wise, clearheaded look back at a more selfless era that stressed community needs over individualism.

Pub Date: May 1, 1995

ISBN: 0-374-16565-3

Page Count: 360

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1995

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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