by Charles K. Wolfe ‧ RELEASE DATE: Jan. 1, 2001
Many of these pioneering artists died in relative obscurity, but Wolfe goes a good ways toward reviving their legacies. (47...
Profiles of influential but largely forgotten country music artists.
Wolfe’s (Mahalia Jackson, 1990, etc.) mini-biographies are based largely on personal interviews with the musicians themselves (many of whom have long since moved on to their Great Audience Above) and with those who knew them. The anecdotes provide some interesting tidbits (Jimmie Rodgers and Hank Williams, for example, copied the falsetto singing style of blackface performer Emmett Miller), and Wolfe is able to sketch out the larger significance of each artist’s musical accomplishments. There are 50 profiles altogether, and the collection is divided into 7 sections. The first section showcases well-known artists from the Country Music Hall of Fame (such as the Carter Family, Roy Acuff, Lefty Frizzell, and Kitty Wells), while less-familiar names (such as Fiddlin’ John Carson—who is largely credited with making the first country record) fill out the second. Artists famous for performing on live country radio (including Cousin Emmy, who paved the way for future female stars but whose legacy may be overlooked due to an absence of taped recordings) are featured in “From the Airwaves.” The remaining sections focus on unsung heroes (including studio or backup musicians), successful live-act touring performers, genuine singing cowboys and cowgirls, and modern artists who have a special affinity for the traditional style. From the hillbilly sound to gospel to duets to swing, from the banjo to the fiddle to the harmonica, the roots of country music are revealed in a representative (if not altogether comprehensive) manner.
Many of these pioneering artists died in relative obscurity, but Wolfe goes a good ways toward reviving their legacies. (47 b&w photos)Pub Date: Jan. 1, 2001
ISBN: 0-415-92826-5
Page Count: 256
Publisher: Routledge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
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BOOK REVIEW
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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