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RULE 34

Dazzling, chilling and brilliant.

Another detective joins the celebrated ranks of Edinburgh's finest, this one with Stross' distinctive science-fictional twist.

Set in the same universe as Halting State (2007) ten years on, the narrative advances several points of view, each written in the same eye-watering second-person present tense; it's supposed to feel like you're inhabiting several avatars in an online computer game—fine, but what if you just want to read a book? Murder is rare in Edinburgh, and the case of an ex-con spammer murdered apparently by bad drugs and a defective machine seems bizarre in the extreme, but DI Liz Kavanaugh soon notices similarities with other equally weird cases in Germany and Italy. And soon Euro-cop Kemal Aslan arrives with other examples. A second Edinburgh victim turns up, a shady accountant shrink-wrapped to a bed of obsolete currency. Meanwhile, the Toymaker, a (literally) psychotic enforcer and facilitator for a criminal network, the Organization, arrives to houseclean the current incompetent staff and recruit some fresh talent. First on his list of potential new hires is Liz's first victim, and the second—you guessed it. In a nearby pub, informatics professor Adam MacDonald, aka the Gnome, inventor of a spam-killer app called ATHENA, talks desperate ex-con hacker Anwar Hussein into becoming consular representative for a bankrupt ex-Soviet splinter republic—the sort of business the newly independent Scottish Euro-state is happy to encourage. Anwar's duties involve distributing free bread mix kits—and providing assistance to a certain John Christie, the Toymaker's current identity. Somehow, Stross ties it all together inside one of the most intelligently and philosophically detailed near-futures ever conceived, although at times the eyes of all but the most well-informed reader will glaze over.

Dazzling, chilling and brilliant.

Pub Date: July 5, 2011

ISBN: 978-0-441-02034-8

Page Count: 368

Publisher: Ace/Berkley

Review Posted Online: May 19, 2011

Kirkus Reviews Issue: June 1, 2011

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THE LOST CAUSES OF BLEAK CREEK

Sure, it’s kind of a rip-off, but it’s scary, it’s fun, and it’s one hell of a carnival ride.

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Comedy duo and YouTube superstars McLaughlin and Neal (Rhett & Link’s Book of Mythicality, 2017) craft a novel about things that go bump in the night.

Stranger Things carries a lot of cultural weight by itself these days—the legacy of Steven Spielberg, Stephen King, and the many weird movies and books that don’t get the credit they deserve—but these comedy writers have hit that vein hard with this VHS-era kicker that references the Jean-Claude Van Damme movie Kickboxer on the very first page. This is Bleak Creek, North Carolina, circa the early 1990s. We have three buddies, natch: Rex McClendon, whose dad owns a funeral home; his bestie, Lief Nelson; and their mutual crush, Alicia Boykins. They’re making PolterDog, an indie movie, because why not? Anyone who grew up in this era will be delighted by all the pop-culture references, from Goodfellas to Smokey and the Bandit. Of course, we need some reasonable adults around to help, too, so we get Janine Blitstein, a filmmaker just graduated from NYU film school, and her cousin Donna Lowe. Things get creepy in a hurry when Alicia is banished because of “bad behavior” to a local private school called Whitewood, founded in 1979. The big bad here is Wayne Whitewood, head of the school where every student is robbed of an identity and known only as “Candidatus”—Whitewood is the so-named “Keeper,” assisted by the Nurse Ratched–esque “Helper.” All the students are threatened at every turn by torture, most commonly “The Roll,” in which they’re confined in a carpet for days on end. Of course, there's a rescue mission, but because we’re in that Stephen King territory, there are also a bunch of supernatural threats, including a cursed spring and something known only as “The One Below.”

Sure, it’s kind of a rip-off, but it’s scary, it’s fun, and it’s one hell of a carnival ride.

Pub Date: Oct. 29, 2019

ISBN: 978-1-984822-13-0

Page Count: 336

Publisher: Crown

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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SPINNING SILVER

A medieval fable of obscure moral import blossoms into a thoughtful, emotionally complex, absorbing drama that stands...

From the author of Uprooted (2015), the splendid Temeraire Napoleonic Wars–and-dragons series, etc., this reworked fairy tale’s opening sentence might well have read Once upon a time in Old Lithuania....

Expanding a recent short story based on “Rumpelstiltskin,” Novik weaves in other elements of Eastern European folklore along with some fine original flourishes. Miryem, the granddaughter of affluent Jewish moneylenders, takes over her incompetent father’s failing business affairs. Channeling anger and frustration into business acumen, she collects the debts that are owed, accepting goods or services as well as coin. In this and other ways, Miryem turns copper and silver into gold. Unfortunately, gold attracts the attention of the Staryk, coldhearted fairies who occasionally intrude into the human world, bringing with them forgetfulness and a breath of winter. One such gives Miryem fairy silver, ordering her to change it into gold. Fairy silver, Miryem finds, is so beautiful that it fetches huge sums in gold, especially when made into jewelry magnificent enough to intrigue the Duke. Miryem slowly grasps that she’s made a bargain with the Staryk: He will make her his queen if she succeeds in spinning a vast pile of silver into gold—and freeze her solid if she fails. She has no wish to marry him but also notices that the Staryk do not particularly value gold in itself—so why do they want such large quantities of it? In spare prose of great clarity Novik weaves in and out of multiple first-person narratives in sometimes-illuminating, sometimes-disconcerting or confusing ways, exploring human and alien social structures and ethnic prejudices, fathers and daughters, damaged relationships and hidden agendas, wringing unexpected consequences from seemingly simple choices.

A medieval fable of obscure moral import blossoms into a thoughtful, emotionally complex, absorbing drama that stands confidently on its own merits.

Pub Date: July 10, 2018

ISBN: 978-0-399-18098-9

Page Count: 480

Publisher: Del Rey

Review Posted Online: April 30, 2018

Kirkus Reviews Issue: May 15, 2018

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