An enthralling, sometimes breathtaking glimpse into one of North America’s few remaining traveling circuses. The Great Wallenda Circus is run by the scion of a great (though some might say cursed) 20th-century circus family, Rick Wallenda, whose own high-wire career was ended by a crippling 40-foot fall in early 1996. In 1997, Wilkins (After the Applause, not reviewed, etc.) decided to conquer his writer’s block and satisfy his lifelong fascination with the circus by learning as much as he could about this troupe of acrobats, aerialists, animal trainers, and clowns. Wilkins, who followed the circus on a beleaguered month-long tour of central Canada, is determined to find out why these performers choose such a difficult and dangerous life, and, to that end, skillfully elicits stories, both terrifying and enlightening, from many of them. The picture that emerges is one of an honorable profession peopled by dedicated, iconoclastic artists who spend most of their scant downtime training to improve their already considerable gifts; the surprising aspect of the author’s account is his depiction of the intense family bond, both figurative and literal, that the troupers share. Michael Redpath, who leads his family in a trapeze act, credits the circus with giving him “the chance to spend more time with my wife and kids than most people get to spend.” Wilkins’s admiration for the artists he meets is especially evident in his portrait of the elephant trainer, Bobby Gibbs, with whom he forms an especially close bond, but it’s Rosa Luna (once the star of her own hair-hanging act and now the matriarch of one of the many families working in the Great Wallenda Circus) who provides the most salient point when she tells Wilkins that “In the circus, anything that is any good is painful.” An exhilarating tribute to a disappearing art. (21 b&w photos, not seen)
Pub Date: May 17, 1999
ISBN: 0-7710-8847-7
Page Count: 272
Publisher: McClelland & Stewart
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1999
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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