The first black country music star spins a great life story. Charley Pride, one of 11 kids born into Mississippi Delta poverty, may be the only black country star, but he's no Uncle Tom. He frankly describes growing up in a segregated world, with a tough-as-nails father and a mother he adored, writing with simple directness and folksy turn of phrase (``You have to walk past a lot of woodpiles...but most of them do not harbor wild animals''). He speaks movingly about race relations and indignities endured early on, including seeing a brother kidnapped by whites. Pride actually set out to become a professional baseball player; slowed by injuries, he still managed to become a star in the Negro Leagues and flirted with the majors. He stumbled into country music—which he had loved from childhood—almost as an afterthought. But he's had a surprisingly smooth ride there and sees his acceptance by country's white audiences as proof that music lowers barriers. Like baseball's Jackie Robinson, Pride had the right combination of traits for a pioneer: good looks, charm, and talent. He tells how RCA set up his career (developing a following for him on radio before letting fans learn he was black), and of aid and friendship proffered by Chet Atkins, Willie Nelson, Ralph Emery, and others. As with many celebrity stories, the tale of Pride's gritty beginnings is more interesting than details of his finances, his interest in astrology, or the obligatory star-chat of later chapters. Pride's story flags only slightly as he describes a struggle with manic depression, a campaign to gain respect from a withholding father, and his disappointment with the way country has abandoned its elder statesmen for vacuous, photogenic young stars. Filled with wit and grit, an admirable exemplar of the celebrity bio genre.
Pub Date: Feb. 21, 1994
ISBN: 0-688-12638-3
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 15, 1993
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
