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PEAKS ON THE HORIZON

Name: PEAKS ON THE HORIZON
Author: Charlie Carroll
ISBN: 978-1619024847

TWO JOURNEYS IN TIBET

by Charlie Carroll ‧ RELEASE DATE: Feb. 10, 2015

A gripping, enlightening journey.

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An English traveler examines the occupation of Tibet firsthand while crossing paths with a Tibetan refugee whose life exemplifies that conflict.

In his United States debut, British journalist Carroll (No Fixed Abode: A Journey Through Homelessness from Cornwall to London, 2013, etc.) chronicles his visit to the “Roof of the World,” examining the history and conquest of a people and the story of one young Tibetan exile's perilous attempts to cross the border. Seeking to understand why the ruling Han Chinese invaded Tibet in 1950 and why they remain, Carroll jumped at the opportunity to travel to the "country of stone and ice," which is (unofficially) closed to outsiders since Chinese officials fear that they might observe—and report on—daily life in Tibet. He richly describes the landscape of the country and its people—e.g., painterly images of a stretch of terrain outside his car window as "a bay of wet and seeping mud which formed strange patterns and shapes as interpretive as clouds"; a rugged, "serrated horizon"; an area "scored” by “red crenulated mountains." In addition to recounting his travels, Carroll tells the story of Lobsang, a Tibetan expat crossing the Himalayas on foot. The author explores China's tyranny and human rights abuses against dissenters in such alarming detail that readers will gasp with worry and dismay when the young man even considers an illegal border crossing. (The author also drolly recounts weighing the limited programming options on China's main TV network, which, from what he could tell, aired mostly "military dramas and terrifying operas.") Though Lobsang’s meeting with the author is inevitable, it is still suspenseful in the atmosphere of heightened drama that Carroll builds. The author dutifully fulfills Tibetans' oft-repeated exhortation to visitors: "Go to Tibet, and then tell the world what you saw."

A gripping, enlightening journey.

Pub Date: Feb. 10, 2015

ISBN: 978-1619024847

Page Count: 368

Publisher: Soft Skull Press

Review Posted Online: Nov. 17, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.