by Charlie English ‧ RELEASE DATE: Aug. 10, 2021
A revelatory look at the “gangplank for the Holocaust.”
A powerful and disturbing portrait of a devastating chapter in the history of Nazi terror.
In the fall of 1939, Hitler began a program to cleanse Germany of those he deemed “unworthy of life”—particularly individuals diagnosed with mental illness, epilepsy, “feeblemindedness,” or alcoholism or engaging in criminal or anti-social behavior, however minor. Although an extensive sterilization project already addressed the problem of procreation, Hitler preferred killing, thereby saving the nation the cost of supporting “useless” individuals. Identified by eugenicist physicians and psychiatrists, the individuals were sent to a country mansion to be gassed with carbon monoxide. The euthanasia program had begun earlier with the killing of children identified by midwives as suffering from “certain conditions, including ‘idiocy and mongolism’ (especially cases involving blindness and deafness); microencephaly; severe or progressive hydrocephalus”; or physical “malformations of any kind”; some were condemned because their parents were Jewish. About 6,000 babies were murdered, either by injection or, often, starvation. As journalist and arts editor English reveals in an absorbing contribution to the horrific history of Nazi Germany, the program that began in 1939 was complicated by Hitler’s fraught connection to art. Rejected for admission to Vienna’s stodgy Academy of Fine Arts in 1907, Hitler portrayed himself as an artist for the rest of his life, and he saw art as a potent cultural force. Not surprisingly, he vilified modernist artists—such as Max Ernst, Paul Klee, and Egon Schiele—who exalted the irrational, primitive, and mad. As a prominent theme in modernist art, insanity found a champion in the psychiatrist Hans Prinzhorn, a leading intellectual in the 1920s who saw striking works among his own mental patients. Collecting samples from asylums, he published Artistry of the Mentally Ill, a volume celebrated by modernists. Many of the artists Prinzhorn discovered—men Hitler damned as “degenerates and lunatics”—became victims in the euthanasia program, which the author trenchantly brings to life.
A revelatory look at the “gangplank for the Holocaust.”Pub Date: Aug. 10, 2021
ISBN: 978-0-525-51205-9
Page Count: 336
Publisher: Random House
Review Posted Online: May 19, 2021
Kirkus Reviews Issue: June 15, 2021
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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National Book Award Finalist
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by Kamala Harris ‧ RELEASE DATE: Sept. 23, 2025
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
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An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
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