A powerful and optimistic guide to clearing out the clutter and finishing your best work.
A manual advocates an array of unconventional approaches to achieving productivity.
This new book from Gilkey (The Small Business Life Cycle, 2014), founder of Productive Flourishing, delivers an assortment of thoughts and strategies for isolating doable projects and ushering them across the finish line. The author asserts that projects allowing people to do their best work are “bridges to a better world.” Gilkey opens his overview with a stern look at other productivity and personal development guides, many of which intentionally or unintentionally make people feel faulty. He stresses instead the plasticity of potential: “We’re more than the thoughts we have and actions we take and we can adopt new thoughts and take new actions that lead us to be the best versions of ourselves.” On the journey to accomplishing these projects and realizing those amazing versions, one of the main obstacles the author identifies is “thrashing.” This is the kind of “emotional flailing and metawork” people do while resisting the commitment to complete a task, the stirring of “head trash”–like fears and insecurities. Paradoxically, it’s when faced with attacking the projects that personally mean the most that many people experience “creative constipation,” an “inner toxicity” that can lead them to lash out at others and themselves. In order to relieve this stress and move things in the right direction, Gilkey proposes many tactics, including such concepts as “chunking” (breaking projects into more easily handled segments), “linking” (connecting some “chunks” with others), and “sequencing” (lining up “chunks” to fall in a smoother order). And, human nature being what it is, there are also tips on how to combat the thoughtless or obstructive actions of others. In expanding on all of this, the author’s tone is infectiously upbeat and exceptionally forgiving. The “grind hard, grind harder, eventually die” attitude on prominent display in so many productivity books is entirely absent in these pages. Gilkey’s advice includes such simple practical items as assessing your work environment (a change may unblock some key piece of congestion) and handling email more efficiently (“processing” it only when you have email-related work to do rather than “checking” it far too often for no constructive purpose). He also recommends reshaping the habits and routines that can remove “scores of daily microdecisions” but can also clog up productivity if they’re not policed and periodically reexamined. In brightly well-designed and inviting chapters, Gilkey warns his readers to beware of projects that seem easier because they involve less “thrashing”: “Thrashing is…not a sign that you can’t finish the project or that you’re doing the wrong project. It’s a sign that…you’ll need to show up powerfully to get it done.” In one crystal-clear insight after another, the author provides readers with an enormous trove of strategies designed to help them succeed, whether their key projects are business-related, creative, or personal. He gives intuitively catchy names to the mental snarls that readers experience when working alone or in groups. The author cautions readers that it’s seductively easy to spend an entire life “in the meantime,” never hunkering down to create their masterpieces. His comprehensive book is a formidable corrective to that inertia.
A powerful and optimistic guide to clearing out the clutter and finishing your best work.Pub Date: Sept. 24, 2019
ISBN: 978-1-68364-263-3
Page Count: 272
Publisher: Sounds True
Review Posted Online: Jan. 6, 2020
Kirkus Reviews Issue: March 1, 2020
Review Program: Kirkus Indie
A succinct, passionate guide to fostering creativity.
A noted critic advises us to dance to the music of art.
Senior art critic at New York Magazine and winner of the 2018 Pulitzer Prize in Criticism, Saltz (Seeing Out Louder, 2009, etc.) became a writer only after a decadeslong battle with “demons who preached defeat.” Hoping to spare others the struggle that he experienced, he offers ebullient, practical, and wise counsel to those who wonder, “How can I be an artist?” and who “take that leap of faith to rise above the cacophony of external messages and internal fears.” In a slim volume profusely illustrated with works by a wide range of artists, Saltz encourages readers to think, work, and see like an artist. He urges would-be artists to hone their power of perception: “Looking hard isn’t just about looking long; it’s about allowing yourself to be rapt.” Looking hard yields rich sources of visual interest and also illuminates “the mysteries of your taste and eye.” The author urges artists to work consistently and early, “within the first two hours of the day,” before “the pesky demons of daily life” exert their negative influence. Thoughtful exercises underscore his assertions. To get readers thinking about genre and convention, for example, Saltz presents illustrations of nudes by artists including Goya, Matisse, Florine Stettheimer, and Manet. “Forget the subject matter,” he writes, “what is each of these paintings actually saying?” One exercise instructs readers to make a simple drawing and then remake it in an entirely different style: Egyptian, Chinese ink-drawing, cave painting, and the styles of other artists, like Keith Haring and Georgia O’Keeffe. Freely experiment with “different sizes, tools, materials, subjects, anything,” he writes. “Don’t resist something if you’re afraid it’s taking you far afield of your usual direction. That’s the wild animal in you, feeding.” Although much of his advice is pertinent to amateur artists, Saltz also rings in on how to navigate the art world, compose an artist’s statement, deal with rejection, find a community of artists, and beat back demons. Above all, he advises, “Work, Work, Work.”
A succinct, passionate guide to fostering creativity.Pub Date: March 17, 2020
ISBN: 978-0-593-08646-9
Page Count: 144
Publisher: Riverhead
Review Posted Online: Nov. 4, 2019
Kirkus Reviews Issue: Dec. 1, 2019
BOOK REVIEW
Not only the definitive life, but a tour de force by a master.
One of history’s most prolific inventors receives his due from one of the world’s greatest biographers.
Pulitzer and National Book Award winner Morris (This Living Hand and Other Essays, 2012, etc.), who died this year, agrees that Thomas Edison (1847-1931) almost certainly said, “genius is one percent inspiration and ninety-nine percent perspiration,” and few readers of this outstanding biography will doubt that he was the quintessential workaholic. Raised in a middle-class Michigan family, Edison displayed an obsessive entrepreneurial spirit from childhood. As an adolescent, he ran a thriving business selling food and newspapers on a local railroad. Learning Morse code, he spent the Civil War as a telegrapher, impressing colleagues with his speed and superiors with his ability to improve the equipment. In 1870, he opened his own shop to produce inventions to order. By 1876, he had money to build a large laboratory in New Jersey, possibly the world’s first industrial research facility. Never a loner, Edison hired talented people to assist him. The dazzling results included the first commercially successful light bulb for which, Morris reminds readers, he invented the entire system: dynamo, wires, transformers, connections, and switches. Critics proclaim that Edison’s innovations (motion pictures, fluoroscope, rechargeable batteries, mimeograph, etc.) were merely improvements on others’ work, but this is mostly a matter of sour grapes. Alexander Graham Bell’s telephone was a clunky, short-range device until it added Edison’s carbon microphone. And his phonograph flabbergasted everyone. Humans had been making images long before Daguerre, but no one had ever reproduced sound. Morris rivetingly describes the personalities, business details, and practical uses of Edison’s inventions as well as the massive technical details of years of research and trial and error for both his triumphs and his failures. For no obvious reason, the author writes in reverse chronological order, beginning in 1920, with each of the seven following chapters backtracking a decade. It may not satisfy all readers, but it works.
Not only the definitive life, but a tour de force by a master.Pub Date: Oct. 22, 2019
ISBN: 978-0-8129-9311-0
Page Count: 800
Publisher: Random House
Review Posted Online: July 14, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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