An interpretation that’s notable more for its materials than its content.
An abbreviated version of the classic home-invasion tale, with die-cut windows and press-out figures.
“Somebody’s eaten my porridge, and broke my chair!” cries Baby Bear, abandoning grammar to move the tale along to a quick climax. The cartoon illustrations are similarly minimalist, featuring a trio of brown, generic bears with ursine heads and paws but human bodies and garb. Goldilocks is a pink-cheeked white urchin in a pink polka-dot shift who races off at the end despite the forgiving Baby Bear’s invitation to stay and play ball. As Baby Bear also gets blamed for leaving the door open at the outset, the tale will serve helicopter parents equally well as a base for discussions of home safety or ethics in general. Perhaps more relevantly for the diapered intended audience, to make the house-shaped pages easy to grasp and turn, the pictures are printed on light card stock that is glued to layers of soft foamcore. The four press-out pieces are superfluous to the story but do at least offer further opportunity to practice motor skills by pulling them out of their form-fitting niches and pressing them back in. They are also eminently chewable, so it’s good to see child-safety ratings on the rear cover.
An interpretation that’s notable more for its materials than its content. (Board book. 1-2)Pub Date: March 1, 2016
ISBN: 978-0-7641-6817-8
Page Count: 12
Publisher: Barron's
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: Dec. 1, 2016
A familiar story skillfully reimagined for today’s gadget-savvy youth.
Hannah Hadley is a young special agent who must thwart a clear and present danger to the United States in Hoover’s “smart is cool” young adult novel.
Hannah Hadley might seem like most 13-year-old girls. She enjoys painting, playing with her MP3 player and spending time with friends. But that’s where the similarities end. Hadley doubles as Agent 10-1, among the youngest spies drafted into the CIA’s Div Y department. She’s joined in her missions by her 10-pound Shih Tzu, Kiwi (with whom she communicates telepathically), and her best friend Tommie Claire, a blind girl with heightened senses. When duty calls, the group sneaks to a hidden command center located under the floor of Hadley’s art studio. Her current mission, aptly named “Operation Farmer Jones,” takes her to a secluded farmhouse in Canada. There, al-Qaida terrorists have gathered the necessary ingredients for a particularly devastating nuclear warhead that they intend to fire into America. The villains are joined by the Mad Madam of Mayhem, a physicist for hire whom the terrorists force to complete the weapon of mass destruction. With Charlie Higson’s Young James Bond series and the ongoing 39 Clues novellas, covert missions and secret plans are the plots of choice in much of today’s fiction for young readers, and references to the famed 007 stories abound in Hoover’s tale. But while the plot feels familiar, Hoover’s use of modern slang—albeit strained at times—and gadgets such as the iTouch appeal to today’s youth. Placing girls in adult situations has been a mainstay since Mildred Wirt Benson first introduced readers to Nancy Drew in The Secret of the Old Clock, but Hannah Hadley is like Nancy Drew on steroids. Both are athletic, score well in their studies and have a measure of popularity. Hadley, however, displays a genius-level intellect and near superhuman abilities in her efforts to roust the terrorists—handy skills for a young teen spy who just so happens to get the best grades in school.
A familiar story skillfully reimagined for today’s gadget-savvy youth.Pub Date: Nov. 15, 2010
ISBN: 978-0615419688
Page Count: 239
Publisher: N/A
Review Posted Online: Jan. 3, 2011
Kirkus Reviews Issue: March 1, 2011
Review Program: Kirkus Indie
Two one-dimensional detection cases of the sort that seem to be proliferating. These feature the Bloodhound Gang of TV's 3-2-1 Contact. In The Case of the Cackling Ghost, Professor Bloodhound's three young employees—ages 10, 15, and 16—are summoned to a large country house, where an old woman is bothered by nightly visits from a ghost. The ghost, the trio soon discovers, is really clumps of moths attracted by pheromones—an illusion cooked up by the woman's debt-ridden nephew who hopes to frighten her into turning over her precious, but reputedly curse-ridden necklace. In . . . Princess Tomrorow, the gang is called as witnesses for a shady couple who pretend to predict horse-race results—but the corroborating letter received by the agency has actually been mailed after the race. The one they witnessed being mailed before the race has been invalidated by a wet but deliberately glueless postage stamp. They're both clever tricks, but of a sort that usually come five or ten to a volume. There's no attempt to flesh out the puzzles, and not a trace of the Fleischman wit and vigor.
Pub Date: April 1, 1981
ISBN: 0394946731
Page Count: 63
Publisher: Random House
Review Posted Online: April 25, 2012
Kirkus Reviews Issue: April 1, 1981
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