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THE GOOD WORKS OF AYELA LINDE

Forbes has the magic touch, and a glorious future.

In a captivating debut, Forbes presents the life of a temperamental Mexican-American beauty in a U.S. border town over a 65-year period.

Ayela Garzón drives the guys crazy. Not only is she beautiful and sexy, but she’s utterly indifferent to them, before and after the act. The 17-year-old lives with her dressmaker mother and her grandmother in the tiny town of Santa Rosalia, near the Rio Grande; the year is 1934. She is saved from her unnatural indifference two years later, when Frederick Linde passes through town. He’s a dashing 25-year-old Boston blueblood with a “law degree and an open heart,” on his way to do good, south of the border; but Ayela’s beauty stops him cold. They marry in secret before a public church wedding a year later, and will go on to have three children: Xavier, Freddie and Jesse. All this we learn piecemeal over the years from family, friends and neighbors. Forbes tells us just enough to whet our appetite for more. She also has novelist Anne Tyler’s uncanny eye for the convolutions of marriage and family. Here are husband and wife walking in the rain, their marriage hanging in the balance; they will make up once Ayela reveals her vulnerability. Here is the infinitely kind, energetic Frederick, in a middle-aged slump, tired of his bourgeois life; his shrewd mother-in-law sees his need for a time out, and he splits for a year, with Ayela’s blessing. Ayela herself is a woman of contradictions: imperious and humble, gentle and harsh. She will prove too much for her sons, who will flee to Boston. Years later, devastated by Frederick’s death, she will still have the love of her faithful Colombian maid, Concha. This new author depicts the tenuous comforts of old age as skillfully as the urgent desires of youth.

Forbes has the magic touch, and a glorious future.

Pub Date: May 10, 2006

ISBN: 1-55970-807-7

Page Count: 240

Publisher: Arcade

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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THE WINTER OF THE WITCH

A striking literary fantasy informed by Arden's deep knowledge of and affection for this time and place.

A satisfying conclusion to a trilogy set in medieval times in the area on the verge of becoming Russia.

In a luxuriously detailed yet briskly suspenseful follow-up to The Bear and the Nightingale (2017) and The Girl in the Tower (2018), Arden's historically based fantasy follows heroic Vasya—a young woman with a strong connection to the spirits of the place where she lives—as she attempts to save her family and her country from evil forces. Because the novel starts with a bang where the preceding volume left off, with Moscow nearly burned to a crisp by a Firebird imperfectly controlled by Vasya, readers are advised to backtrack to the two earlier books rather than attempt to sort out all the characters and backstory on the fly. Among the humans are Vasya's sister, Olga, compromised by her desire for wealth and position; her brother, Sasha, a monk with a taste for the military life; Grand Prince Dmitrii; and corrupt priest Konstantin. Among the inhuman are the warring brothers Morozko, the winter-king with whom Vasya conducts a conflicted romance, and Medved, a demon addicted to chaos. Arden keeps the narrative fresh by sending Vasya questing into fantastic realms, each with its own demanding set of rules and its own alluring or forbidding geography, and by introducing new “chyerti,” demons or spirits, including an officious little mushroom spirit who indiscriminately plies Vasya with fungi, some edible and some distinctly not. Fans of Russian mythology will be pleased to find that Baba Yaga puts in a cameo appearance to straighten out some of the complicated genealogy. The trilogy leads up to the Battle of Kulikovo, which many consider the beginning of a united Russia. Arden neatly establishes parallels between Vasya's internal struggles, between attachment and freedom or the human world and the spiritual one, for example, and those taking place in the world around her.

A striking literary fantasy informed by Arden's deep knowledge of and affection for this time and place.

Pub Date: Jan. 8, 2019

ISBN: 978-1-101-88599-4

Page Count: 384

Publisher: Del Rey

Review Posted Online: Oct. 1, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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BASTARD OUT OF CAROLINA

A girl comes of age in '50's South Carolina fighting the label ``trash'' and the violent advances of her stepfather: an overly familiar story as Allison (Trash, 1988) handles the material in a surprisingly nostalgic way. When narrator Ruth Ann Boatwright (nicknamed Bone) is born to 15-year-old unmarried Anney, the word ``ILLEGITIMATE'' is stamped in big red letters on the birth certificate; for years, Anney will stubbornly try to get a new document without the glaring stigma. She will also try to make a decent home for her two daughters, marrying Glen Waddell, who—the black sheep of a prominent local family—admires the heavy-drinking, brawling Boatwright men. Glen adores Anney but the Boatwrights have their reservations: ``the boy could turn like whiskey in a bad barrel.'' Indeed, not only does he have trouble holding a job but soon makes Bone a scapegoat for his frustrations: she suffers beatings and sexual molestation, keeping silent in order not to spoil her mother's hard-won happiness. Though the family triangle is the dramatic center of the novel, the narrative meanders through the story of the Boatwright clan. Bone reflects on her strong and independent (if hard-treated) aunts and appreciates family strength, love, and loyalty while recognizing that the outside world sees the Boatwrights as antisocial trash. Compassionate if not very compelling; after the often searing power of Allison's short stories, she seems not to have claimed her voice so much as tamed it.

Pub Date: April 10, 1992

ISBN: 0-525-93425-1

Page Count: 320

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1992

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