An unusual offering for the young geology nerd.
This British import is an imaginatively constructed sequence of images that show a white boy examining a city pavement, clearly in London, and the sights he would see if he were able to travel down to the Earth’s core and then back again to the surface.
The geologic layers are depicted in 10 vertical spreads that require a 90-degree turn to be read and include endpapers, which open out, concertina fashion, to show the interior of the Earth to its core. Beneath the urban setting are drains, pipes, and artifacts of urban infrastructure. Below that, archaeological relics are revealed. An Underground train speeds by, and below it, a stalactite-encrusted cave yawns. Deep below the Earth’s crust, magma, the Earth’s mantle, and the inner core are shown. Turn the page to start going up again, back through the mantle to the crust, where precious minerals are revealed, then fossils, tree roots, and animal burrows, ending with the same boy in the English countryside. The painted, stenciled, and collaged illustrations are full-bleed, and the tones graduate pleasantly from light colors at the surface of the Earth to rich pinks, yellows, and oranges as readers near the Earth’s core. The text is informative, if lacking in poetry, including such nuggets as “earthworms are expert recyclers, eating dead plants in the soil.”
An unusual offering for the young geology nerd. (Informational picture book. 5-8)Pub Date: May 1, 2017
ISBN: 978-1-68297-136-9
Page Count: 20
Publisher: Words & Pictures
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
Good intentions; confusing execution.
The love of an ancient tree leads a boy to unlikely activism.
When the pioneers cleared the land to settle the western wilderness, one young man decided to leave one special tree standing to shade his new home. The years go by, and the land is further developed, but the tree remains, until a proposed highway threatens it. The great-grandson of the original settler calls on animals to help save the tree. Young environmentalists will cheer when the tree is saved, and they will enjoy the family story. McPhail’s familiar watercolor-and-ink spreads capture the bucolic setting, especially effective when showing the wide swath of cleared land while the oxen are helping to build the house. Right from the start, though, the tone of the book is muddled by confusing and redundant graphic elements. Speech bubbles seem oddly out of place in the 1800s, especially when the main character is speaking to no one and the narration is clear and complete. The final illustration shows the boy, triumphantly swinging from his beloved tree—but the proximity of the new highway and the vehicular traffic makes this victory seem hollow at best. The graveyard at the right edge seems to indicate the fight against progress may be futile. Classes studying ecology and activism might find something to discuss here.
Good intentions; confusing execution. (Picture book. 5-8)Pub Date: March 27, 2012
ISBN: 978-0-8050-9057-4
Page Count: 40
Publisher: Henry Holt
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
In a life-cycle arc paralleling the one in Cyrus’ Tadpole Rex (2008), a tiny prehistoric ancestor to modern sea turtles hatches from a buried egg, scuttles across a beach into the sea, survives multiple hazards to grow into a mighty two-ton Archelon and then in season returns to shore to lay a clutch of her own. Injecting plenty of drama into his beach and sunlit undersea scenes with sudden close-ups and changes of scale, the illustrator vividly captures the hatchling’s vulnerability as she passes with her sibs beneath a towering T. Rex only to discover a world of toothy predators beneath the ocean’s rolling surface. And even full grown, though she can glide unheeding past sharks and even plesiosaurs, an encounter with a mosasaur “massive and dark: / muncher of archelon, / gulper of shark” sends her sliding hastily down to concealment in the billowing bottom sands. Like its subject, the rhymed text moves with grand deliberation, carrying the primeval story line to a clever transition between that ancient era and ours: “Gone is that sea and the creatures it knew. / Archelon. Mosasaur. Pterosaur, too. / Gone is the plesiosaur’s clam-cracking smile… / but full-body helmets are still in style” as “shells of all fashions continue to girdle / the middle of many a tortoise and turtle.” Never has time travel been so easy or so immersive. (author's note) (Informational picture book. 6-8)
Pub Date: April 4, 2011
ISBN: 978-0-547-42924-3
Page Count: 40
Publisher: Harcourt
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 1, 2011
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