There is plenty to savor in this ambitious and accomplished debut.
Siblings called together after their mother's death learn that almost everything they know about their Caribbean-born parents is a lie.
On an unnamed island in 1965, a bride throws herself into the ocean after her much older gangster husband drops dead at their wedding reception and is never again seen in her village. (She is, however, a very good swimmer.) In Southern California in 2018, Byron and his sister, Benny, are called to listen to an audio file their mother spent days making for them. Estranged for years, they resist, asking for a copy to take home, but their mother's lawyer (who also seems to be grieving) says their mother was very specific, telling them, "There are things your mother wanted you to hear right away, things you need to know." Are there ever. The threads connecting the alternating sections of the book, "Then" and "Now," are many, and tangled, and somehow just keep getting more complicated as the pages roll by. The complex plotting of this novel, unfurling over decades and continents, and the careful pacing of its reveals, often in very short, almost epigrammatic chapters, are enticing. But the pacing is overly slowed by endless lingering inside the heads of characters recapping, reviewing, and agonizing over their predicaments. You want to be tapping your toe with suspense, not fraying patience. And while the island-born characters introduced in the "Then" part of the book are deliciously larger than life, with outsized talents, shortcomings, and powers of self-reinvention, the backstories and concerns of the "Now" characters feel consciously assembled to touch bases of gender and racial identity, domestic abuse, political consciousness, climate change, etc. Nonetheless, Wilkerson is clearly an author to watch.
There is plenty to savor in this ambitious and accomplished debut.Pub Date: Feb. 1, 2022
ISBN: 978-0-593-35833-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
BOOK REVIEW
SEEN & HEARD
PERSPECTIVES
BOOK TO SCREEN
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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