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CAPTAIN CHEECH

Trite and self-serving as it was, comedian Marin’s first literary effort for young readers, Cheech the School Bus Driver (2007), at least carried a worthy Lesson; this sequel promotes winning through cheating. When his young passengers convert his school bus into a motorboat in order to race the (unmotorized) sailboat of classmate Vanessa, he eagerly joins in the fun. A sloshy ride and many encounters with sea life later, Cheech sees that the competitors are about to pull into the lead, and so snaps out the bus’s retractable “STOP” sign—which, of course, prevents Vanessa and crew from passing. Vanessa graciously concedes: “When I grow up, I want to be a bus driver just so I can have one of those stop signs. Then I’ll win all the races!” Putting the celebrity narrator, mouth agape beneath a bushy mustache, at the visual center of most scenes, Ramírez gives his cartoon figures oversized heads and eyes, along with a drastically limited range of expressions. The winning blurb photo’s not going to be enough to sell this. (Picture book. 6-8)

Pub Date: July 1, 2008

ISBN: 978-0-06-113206-3

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2008

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ISAAC THE ICE CREAM TRUCK

Newcomer Santoro’s story of the ice cream truck that pined for a more important role in life suffers from a premise that’s well-worn and still fraying—the person or object that longs to be something “more” in life, only to find out that his or its lot in life is enough, after all. Isaac the ice cream truck envies all the bigger, larger, more important vehicles he encounters (the big wheels are depicted as a rude lot, sullen, surly, and snarling, hardly a group to excite much envy) in a day, most of all the fire trucks and their worthy occupants. When Isaac gets that predictable boost to his self-image—he serves up ice cream to over-heated firefighters after a big blaze—it comes as an unmistakable putdown to the picture-book audience: the children who cherished Isaac—“They would gather around him, laughing and happy”—weren’t reason enough for him to be contented. Santoro equips the tale with a tune of Isaac’s very own, and retro scenes in tropical-hued colored pencil that deftly convey the speed of the trucks with skating, skewed angles. (Picture book. 4-8)

Pub Date: May 1, 1999

ISBN: 0-8050-5296-8

Page Count: 32

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1999

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THE TREASURE CHEST

PLB 0-7358-1050-8 This tale of sudden riches from Falda (The Angel and the Child, 1995, etc.) examines the true meaning of friendship. When Owl sees Squirrel unearth a treasure chest, he quickly notifies the other forest creatures. Together, Rabbit, Mole, Badger, and Bear try to envision the contents of the chest. Falda whimsically describes the creatures’ dearest desires—from carrots for Rabbit to glasses for Mole. Owl disdainfully discounts these fanciful notions, informing the animals that treasure chests are always full of gold and other riches. He also believes that such riches are certain to alter Squirrel, as wealth has often led to the demise of friendships. Alarmed, the animals rush off to discover Squirrel’s intentions; Squirrel has converted his treasure trove of seeds and nuts into a cake for all of his friends. Falda prevents sentiment from overwhelming the charming forest setting and the cast of imaginative, endearing friends. (Picture book. 4-7)

Pub Date: April 1, 1999

ISBN: 0-7358-1049-4

Page Count: 26

Publisher: NorthSouth

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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