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LOVE CAN'T FEED YOU

There’s a very good novel struggling to emerge from this one.

The American dream proves to be elusive for one Filipino Chinese immigrant family in this debut novel.

After a turbulent flight from the Philippines, 17-year-old Queenie, her 10-year-old brother, Junior, and their elderly Chinese father land at JFK International Airport to be reunited with Ma, who has been working as a nurse in New York for the past five years. Queenie immediately sees a change in her 37-year-old Filipina mother. “She looks sleek and expensive. Like a woman we see on television.” The family’s new home, a small one-bedroom apartment in Sunset Park, Brooklyn, is a letdown. “No white people in sight. This was not what we expected.” Also unexpected is Ma’s command that Papa and Queenie, who had her heart set on going to college, find work immediately to help Ma pay back the loan that brought the family to the U.S. For Queenie, that means becoming a temporary caregiver for an old woman. As tension between their parents escalates, Junior retreats to his video games and Queenie finds solace with her friend Yan. The author excels at portraying the domestic and cultural stresses that eventually fracture this immigrant family; part 1 is the novel’s strongest section. Unfortunately, the rest of the book is weakened by a meandering narrative that ends abruptly with no resolution. Like her frustratingly passive protagonist, who makes questionable choices for no discernible reason, Sy doesn’t know where she wants her novel to go. She introduces potentially dramatic conflicts—for example, a $500 tip Queenie earns from caregiving is stolen by a family member—and then fails to develop them.

There’s a very good novel struggling to emerge from this one.

Pub Date: Oct. 8, 2024

ISBN: 9780593474549

Page Count: 336

Publisher: Dutton

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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HALF HIS AGE

A debut novel with bright spots, but unbalanced and lacking in finesse.

A high school senior pursues an affair with her teacher.

Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.

A debut novel with bright spots, but unbalanced and lacking in finesse.

Pub Date: Jan. 20, 2026

ISBN: 9780593723739

Page Count: 288

Publisher: Ballantine

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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