MY PRINCESS BOY

Name: MY PRINCESS BOY
Author: Cheryl Kilodavis

by Cheryl Kilodavis & illustrated by Suzanne DeSimone & developed by KDT Media ‧ RELEASE DATE: Nov. 2, 2011

Utterly without subtlety, but there's little enough out there addressing the needs of transgender children that this can be...

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Each sparkling, tap-happy screen of this version of the earnest 2010 book radiates the same relentless, if praiseworthy “Cherish Their Differences” message.

Literally radiates: Touching any character and many background details sets off spreading ripples of semitransparent heart shapes and, often, tinkling chimes too. The short text is a mother’s love note to her 4-year-old son, who enjoys wearing “girly dresses,” twirling like a ballerina and wearing a tiara. Noting that the lad is also lovingly accepted by his older brother, his father and playmates but not always by others, the narrator goes on to ask leading questions (“Would you laugh at him?”). Scripted responses follow (“I will not laugh at him”), appearing on translucent overlays in very large letters when certain lines of text are tapped. In the cartoon illustrations, stars pop into view and rise through pink skies as touches send balls bouncing, cause flowers to emit rapid drumbeats and make the boy (who looks considerably older than 4) and the other weirdly faceless human figures dance. An interactive counting game is shoehorned in midway through. “My Princess Boy is your Princess Boy,” the narrative concludes obscurely—a sentiment hinting that parents may have been the author’s intended audience all along.

Utterly without subtlety, but there's little enough out there addressing the needs of transgender children that this can be comfortably overlooked. (iPad bibliotherapy app. 6-8, adult)

Pub Date: Nov. 2, 2011

ISBN: N/A

Page Count: -

Publisher: KDT Media

Review Posted Online: Nov. 27, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

by Cynthia Rylant & illustrated by Sucie Stevenson ‧ RELEASE DATE: April 1, 1998

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Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

Categories:

CHILDREN'S ANIMALS

- BOOK REVIEW
A BOOK OF LOVES
by Cynthia Rylant ; illustrated by Cynthia Rylant

- BOOK REVIEW
HORNBEAM BY AND LARGE
by Cynthia Rylant ; illustrated by Arthur Howard

- BOOK REVIEW
HORNBEAM GETS IT DONE
by Cynthia Rylant ; illustrated by Arthur Howard

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BIG CHICKENS

by Leslie Helakoski & illustrated by Henry Cole ‧ RELEASE DATE: Feb. 1, 2006

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With wordplay reminiscent of Margie Palatini at her best, Helakoski takes four timorous chickens into, then out of, the literal and figurative woods. Fleeing the henhouse after catching sight of a wolf, the pusillanimous pullets come to a deep ditch: “ ‘What if we can’t jump that far?’ ‘What if we fall in the ditch?’ ‘What if we get sucked into the mud?’ The chickens tutted, putted, and flutted. They butted into themselves and each other, until one by one . . . ” they do fall in. But then they pick themselves up and struggle out. Ensuing encounters with cows and a lake furnish similar responses and outcomes; ultimately they tumble into the wolf’s very cave, where they “picked, pecked, and pocked. They ruffled, puffled, and shuffled. They shrieked, squeaked, and freaked, until . . . ” their nemesis scampers away in panic. Fluttering about in pop-eyed terror, the portly, partly clothed hens make comical figures in Cole’s sunny cartoons (as does the flummoxed wolf)—but the genuine triumph in their final strut—“ ‘I am a big, brave chicken,’ said one chicken. ‘Ohh . . . ’ said the others. ‘Me too.’ ‘Me three.’ ‘Me four’ ”—brings this tribute to chicken power to a rousing close. (Picture book. 6-8)