A loving tribute to a legendary author whose work continues to resonate in the current day.
Robson collects writings about and inspired by the iconic English novelist.
Few writers have seen their work reinterpreted as much as Jane Austen’s. “We all encounter Austen differently and from the position of where and when we read her,” writes the scholar Jennie Batchelor in the book’s introduction. “How we read her changes as the world changes around us.” This anthology, a melange of fiction, poetry, essays, and interviews, reflects the diversity of reactions to Austen’s work. Katherine Reay writes of the healing experience of reading the novelist while recovering from a severe injury, while Katie Lumsden discusses the pleasure of rereading Austen’s novels over and over at different stages in her life. Fiction pieces imagine the author and her characters in new, often revisionary arrangements; in Julia Miller’s “Georgiana Darcy—Pistols at Dawn,” Pride and Prejudice’s Georgiana Darcy exacts satisfaction from the gold-digger George Wickham in the form of a duel, while in Charlie Lovett’s novel excerpt “First Impressions,” Austen defends herself against the accusation that she has “a too highly developed interest in fictionalizing [her] acquaintances.” (One particularly meta piece is an Austen update written by actress and novelist Talulah Riley, who starred in the 2005 Pride and Prejudice film adaptation.) Interviewees include Jeff James, the director who brought Persuasion to the stage at the Manchester Royal Exchange Theatre, and Martin Jennings, the sculptor who created a bronze sculpture of Austen for Winchester Cathedral. Numerous poets contribute poems, including “Witch-Wife” by Edna St. Vincent Millay, about a woman who “was not made for any man, / And she never will be all mine.” The range of the contributors leaves the reader with a sense of how important Austen is to writers in particular, who see in her not simply an antecedent or role model but as an old friend who, with constancy and wit, is always there during those transitional moments in life—the very moments that Austen herself wrote about with such precision.
A loving tribute to a legendary author whose work continues to resonate in the current day.Pub Date: Nov. 30, 2025
ISBN: 9781913641511
Page Count: 256
Publisher: Aurora Metro Books
Review Posted Online: Nov. 18, 2025
Review Program: Kirkus Indie
BOOK REVIEW
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None
Does glasnost mean the Cold War is over? Le Carre, the ultimate chronicler of Cold War espionage, ponders that issue (and others) in an up-to-date spy fable: his drollest work thus far, his simplest plot by a long shot, and sturdy entertainment throughout—even if not in the same league with the Karla trilogy and other le Carre classics. British Intelligence has gotten hold of a manuscript smuggled out of Russia. Part of it consists of wild sociopolitical ramblings. But the other part provides full details on the USSR's most secret defense weaponry—which is apparently in utter shambles! Can the UK and US trust this data and proceed with grand-scale disarmament? To find out, the Brits recruit the left-wing London publisher Bartholomew "Barley" Scott Blair, who has been chosen—by the manuscript's author, a reclusive Soviet scientist nicknamed "Goethe"—to handle the book's publication in the West. Barley's mission is to rendezvous with Goethe in Russia, ask lots of questions, and evaluate whether he's for real. . .or just part of a KGB disinformation scheme. Barley—a gifted amateur jazz-sax player, a quasi-roue in late middle age—has few doubts about Goethe's sincerity; he shares, with increasing fervor, the scientist's Utopian dreams of nth-degree glasnost. But the mission is soon mired in complications: CIA interrogations (with lie-detector) of Barley; venal opposition from US defense-contractors; and Barley's intense—and dangerous—love for Goethe's friend Katya, the go-between for his USSR visits. Narrated by a Smiley-like consultant at British Intelligence, the story, unwinds in typical le Carre style (leisurely interrogations, oblique angles), but without the usual denseness. The book's more serious threads—debates on disarmament, Barley's embrace of world peace over the "chauvinist drumbeat," the love story—tend toward the obvious and the faintly preachy. Still, Barley is a grand, Dickensian creation, the ugly Americans are a richly diverting crew, and this is witty, shapely tale-spinning from a modern master.
None NonePub Date: June 9, 1989
ISBN: 0141196351
Page Count: 430
Publisher: Knopf
Review Posted Online: Sept. 27, 2011
Kirkus Reviews Issue: May 15, 1989
A thorough, right-wing perspective on the philosophical vices of modern science.
A theoretical critique of scientism, the hyperbolically confident view that scientific materialism is capable of explaining the universe in its totality.
Christopher announces an ambitious agenda: to challenge the “scientific vision of life,” the reductive attempt to capture all existing phenomena—human and otherwise—in the categories of scientific materialism. The author principally devotes his attention to the relentless attempt to explain human behavior from the perspective of DNA, the alleged “language of life.” However, Christopher contends, with impressive clarity and rigor, that such an attempt has long been exposed as a failure—explanatory recourse to DNA simply doesn’t account for the whole spectrum of behavioral differences or variations in innate intelligence. Despite the mounting difficulties with the explanatory power of DNA, however, the scientific community has doubled down on its commitment to it—a type of “faith-based” rather than evidentiary allegiance. The author interprets this commitment as an expression of irrational scientism, which combines a “total confidence in the materialistic model of human life” with a self-congratulatory “hype and arrogance.” Christopher devotes so much attention to the field of genetics precisely because he sees it as the crucible of this scientism: “I suggest that biologists/geneticists are effectively in the front lines of the defense of materialism. That foundational scientific belief that life is completely describable in terms of physics dictates that DNA fulfill the heredity role. Never mind some of the extraordinary behavioral challenges, DNA has to cover all of materialism’s bets.”
Christopher also assesses the ways scientific dogma clouds discussions of environmental sustainability, race, intelligence, and even meditation—in the latter case he furnishes a fascinating discussion of the limitations of the analysis of Sam Harris, a philosopher and neuroscientist who is a well-known critic of religion. Further, he does a credible job of not only exposing the vulnerabilities and limitations of DNA as a theoretical panacea, but also the ways the scientific community routinely dismisses them, betraying their avowed commitment to intellectual openness. “Contradicting the certitude of science there are bunch [sic] of behavioral phenomena which are very difficult to explain from a materialist perspective. The inability of science to acknowledge this situation contradicts the regularly proclaimed openness and curiosity of scientists. In fact science has its own rigid materialist purview and strongly defends it.” The author, whose perspective is unmistakably locatable on the right of the political aisle, claims he does not supply a “nuanced effort,” and this is sometimes true. In his discussion of black communities, he offers common racist tropes: “A relatively weak commitment towards education and a tendency towards violence are still substantial problems in parts of the African American community.” Overall, the author’s argument is clear and free of technical convolution, a remarkable feat given the forbidding nature of much of the subject matter. His chief goal is to demonstrate the “sacred” nature of the scientific community’s fidelity to DNA as a settled theory and, as a consequence, encourage it to “start looking elsewhere for explanations.” At the very least, he accomplishes this goal.
A thorough, right-wing perspective on the philosophical vices of modern science.Pub Date: March 25, 2020
ISBN: 978-1-62967-170-3
Page Count: 178
Publisher: Wise Media Group
Review Posted Online: July 27, 2020
Review Program: Kirkus Indie
BOOK REVIEW
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