A devious, if occasionally melodramatic, psychological thriller.
A disturbed man searches for his missing girlfriend in Baker’s Jekyll-and-Hyde–inspired debut crime novel.
Peter Longer, the son of an abusive preacher, has another personality inside him—one he calls Jason, who tells him to do bad things—and he believes the alter ego to be a result of a family curse. The 49-year-old man also believes that he’ll die at 50, the same age that his father did; a spirit woman known as the Wren, he thinks, will come to punish him for the things he’s done. He was committed to a state institution as a teenager after killing a woman, but he managed to escape and was accepted, under a false name, to Columbia University. Later, he pursued a series of blue-collar jobs out West. Eventually, in Colorado, he strolled into a church on a snowy morning, looking for warmth, and met Sarah Montrose, a friendly young woman with a trust fund. The two fell in love and Peter found himself with a luxury apartment, a job polishing resumes, and a good woman in his life. He was convinced, in fact, that Sarah cured him of his family curse. Then, after two years of happiness, Sarah disappeared in 2016. The cops got involved, but the case quickly went cold, leaving only Peter and Richard Redd, a lone Denver police detective, committed to finding her two years later: “I continued to search for Sarah,” Peter narrates. “For without her, I was doomed. She had protected me from the cruelty, the savagery the bloodline bred into the men who carried the seed.” When Redd comes across a name related to a different murder—someone named Jason Bane—it becomes clear that the story that Peter has been telling himself may not be as straightforward as it seems.
Baker’s prose is taut and plainspoken, with shades of dirty realism that go along with the novel’s general sense of psychological unease. Here, for example, Peter stops at a drug store to tend some wounds before going to meet a single mother whom he thinks might be a suitable replacement for Sarah: “In the rearview mirror, I saw my lip had broken open again….I stopped for gauze, antiseptics, and Band-Aids. A fuzzy pink bunny sat on display at the checkout counter. Perfect for the first gift to a little girl who I hoped would grow to adore me.” The novel is mostly narrated from Peter’s perspective, although the introduction of Redd offers some much-needed respite from the protagonist’s unsettling point of view. The book has a sensationalized view of violence, rural poverty, and mental illness, and readers will be likely to spot the plot’s big twist from miles away. Even so, the mystery that unfolds over the course of the novel is somewhat more nuanced than it initially appears, resulting in a reading experience that’s chock full of reversals and complications. The faint of heart should probably stay away, but fans of dark, cerebral horror tales will likely enjoy unraveling this one.
A devious, if occasionally melodramatic, psychological thriller.Pub Date: Nov. 7, 2021
ISBN: 978-1-73412-982-3
Page Count: 302
Publisher: Horsetooth Press
Review Posted Online: Sept. 2, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A standout in the series.
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
SEEN & HEARD
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
SEEN & HEARD
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