A debut novel of immense poise and promise.
A grieving family’s life is altered when they become obsessed with the game of squash.
Gopi is the youngest in a family of three daughters. Her sisters, Mona and Khush, are 15 and 13, respectively, and Gopi is just 11 when the novel opens. The girls’ mother has just died. When a relative tells Gopi’s father that he must find something for his daughters to do to keep them from running wild, Pa decides they should take up squash at Western Lane, the sports center near their home in England. All the girls train diligently, but only Gopi shows true talent. Pa begins to train her harder, finding her an opponent in 13-year-old Ged, the son of a Western Lane employee, and finding himself a friend in Ged’s mother. Gopi pushes herself harder and harder on the squash court, finding release in the repetition of drills and volleys. (“It was with a feeling of having been rescued that I raised my racket and served,” she remembers.) As Gopi disappears into her new identity as an athlete, the rest of her family members are struggling under the weight of their bereavement and the pressure to move forward with their lives under the watchful eyes of their relatives and their community. It is this pressure that threatens to crack the family apart forever. Maroo’s subtle and elegant writing at first seems surprisingly restrained for a novel about a subject as high-spirited and energetic as squash and from a narrator as generally high-spirited and energetic as an 11-year-old girl. But Gopi’s retrospective narration accumulates slow layers of heartbreak as the story proceeds, patiently building up an entire landscape of emotion through gestures, silences, and overheard murmurings in the dark.
A debut novel of immense poise and promise.Pub Date: Feb. 7, 2023
ISBN: 978-0-374-60749-4
Page Count: 160
Publisher: Farrar, Straus and Giroux
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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