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HAVE YOU EATEN YET?

STORIES FROM CHINESE RESTAURANTS AROUND THE WORLD

A heartfelt and entertaining culinary and historical survey of the Chinese diaspora.

A documentarian recounts his journey touring Chinese restaurants around the world.

According to Kwan, one of the few things that unites China’s incredibly diverse diaspora is a shared love of Chinese food in all its iterations. It was this shared love that motivated the author, who speaks English, French, Japanese, and a few Chinese dialects, to travel “more than 200,000 kilometers…from the Amazon to the Arctic Circle” in search of Chinese restaurants and the histories they contain. The histories are what interest Kwan the most. Making good on his promise to use food as an “entry point,” the author describes every establishment he visited through personal, political, and historical lenses. In Havana, Kwan met a Cuban-born Chinese octogenarian who was also a talented singer specializing in Cuban music. After being robbed in Mombasa, Kenya, Kwan flew to Mauritius, and he traces the history of the Hakka people who settled on this African island in the 16th century. In Haifa, Israel, Kwan learned about how the descendants of Chinese refugees from Vietnam assimilated into Israeli society. “When I was looking for a Chinese restaurant in Israel, it was a challenge to find one run by ethnic Chinese,” he notes. “Most owners were Israelis, with Chinese as cooks or managers. Many even employed Thai cooks, adding a distinctive Thai flavour to their Israeli-Chinese cooking.” Throughout these encounters, Kwan offers bits about his personal life, including his Hong Kong family’s peripatetic life. His rich descriptions, humorous tone, and extensive research make for a pleasurable reading experience. The connections he draws between far-flung places are particularly impressive, revealing a deep empathy and knowledge about the people he encountered. Kwan’s inclusion of his personal history—and the histories of his film crew—gives the book an added feeling of intimacy. Only occasionally does the author feel out of touch—e.g., his lack of a critical lens about Israel’s tumultuous history.

A heartfelt and entertaining culinary and historical survey of the Chinese diaspora.

Pub Date: Jan. 3, 2023

ISBN: 978-1-63936-334-6

Page Count: 272

Publisher: Pegasus

Review Posted Online: Sept. 23, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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