A top-tier war novel, inventive and cleareyed about the consequences of violence.
A man is forced into the turmoil of Nigeria’s brutal Biafran war.
Adekunle Aromire—the protagonist of Booker Prize finalist Obioma’s third novel—has overheard his mother saying that he’s cursed. By her lights, his neglect caused a car accident that nearly killed his younger brother, Tunde, when the boys were 9 and 6. Years later, in 1967, Kunle is a recent college graduate who learns that his brother has moved with a woman to the new separatist state of Biafra; guilt-stricken and fearing for his brother’s safely, Kunle volunteers with a Red Cross group, one of the few ways for a Nigerian to safely enter the region. Unfortunately, Kunle is separated from the group, found by Biafran soldiers, and compelled to join its army. Biafra’s two-year war with Nigeria was a failed and notoriously brutal affair, killing hundreds of thousands of soldiers and civilians, and Obioma’s rendition of it is distinguished in part by his unflinching writing about the violence and how Kunle “has drunk his fill of the war’s raw water.” In short order, he and his fellow soldiers grow hardened and demoralized, skeptically considering the generals and mercenaries who deliver their marching orders. (One is Rolf Steiner, a real-life German soldier of fortune.) The horrors are tempered by an unlikely but well-sold battlefield romance and by Kunle’s commitment to fulfilling his original mission of finding Tunde. The story is also leavened by Obioma’s consideration of the role of fate in all this: Interstitial chapters feature a Seer who has prophesied the novel’s events. Obioma has captured the essential elements of the war novel—the near-death experience, the tragic losses, the flickering moments of generosity and grace—but he inhabits them with a rare command, empathy, and intensity of feeling.
A top-tier war novel, inventive and cleareyed about the consequences of violence.Pub Date: June 4, 2024
ISBN: 9780593596975
Page Count: 384
Publisher: Hogarth
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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