by Chris Herring ‧ RELEASE DATE: Jan. 18, 2022
A fond look back at a once-great basketball franchise that, now hapless, fans have “longed for…ever since.”
An account of the 1990s-era New York Knicks, who left a trail of mayhem in their wake.
It was a flash in the historical pan, but a memorable one, the confluence of a take-no-prisoners coach, Pat Riley, with a squad of talented, hard-nosed players that included Patrick Ewing, Anthony Mason, John Starks, Latrell Sprewell, and others. It helped matters, notes Sports Illustrated senior writer Herring, that as the Knicks were coming together, archnemesis Michael Jordan of the Chicago Bulls had decided to retire—at least to play baseball. The Knicks were lean, mean, and ready to brawl if necessary. In the memorable opening section, Herring recounts how Riley, 20 minutes into his five-year stint as coach, had to break up a fight between Mason and forward Xavier McDonald in a team practice. “Mason was nothing if not enigmatic,” the author writes later; he was hard to pin down but also hard to beat. There are some wonderful set pieces, including a 1994 NBA Finals game that no one, commentator Bob Costas included, paid much attention to, given that O.J. Simpson was then barreling down a Los Angeles highway, the police in close pursuit. But the author is at his best with on-the-court, you-are-there accounts of the game in action and its players, including Starks, who “had been the Knicks’ most reliable option, hitting 49 percent of his shots—and 45 percent of his threes—averaging a team-best 21 points and seven assists per contest.” Still, as Herring knows, all the stars in the world won’t make a real team, and throughout the decade of the 1990s, the Knicks came together, as in 1999, when “they displayed heart and resolve, showing they could sidestep distractions to sneak into the playoffs with their beloved coach’s back against the wall.”
A fond look back at a once-great basketball franchise that, now hapless, fans have “longed for…ever since.”Pub Date: Jan. 18, 2022
ISBN: 978-1-982132-11-8
Page Count: 368
Publisher: Atria
Review Posted Online: Dec. 13, 2021
Kirkus Reviews Issue: Jan. 1, 2022
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SEEN & HEARD
by Jennette McCurdy ‧ RELEASE DATE: Aug. 9, 2022
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.
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New York Times Bestseller
IndieBound Bestseller
The former iCarly star reflects on her difficult childhood.
In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.Pub Date: Aug. 9, 2022
ISBN: 978-1-982185-82-4
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 30, 2022
Kirkus Reviews Issue: July 1, 2022
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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IndieBound Bestseller
by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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