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THE BEST IN THE WORLD

AT WHAT I HAVE NO IDEA

A rollicking ride through a large swath of the entertainment industry.

The WWE wrestler and entertainer chronicles his latest alcohol-fueled adventures and his push to become a bigger celebrity.

Along with Fornatale, who co-authored his previous two best-selling books, Jericho (Undisputed: How to Become the World Champion in 1,372 Easy Steps, 2011, etc.) is back to regale us with tales from a life filled with drunken nights on the pro-wrestling circuit, performances with his heavy-metal band, Fozzy, and, increasingly, appearances on network TV. Along the way, we get to know Jericho’s informal storytelling style, with its self-deprecating humor and many pop-culture references. Pro-wrestling fans, casual and hard-core alike, will have their interest piqued by the volatile relationship between Jericho and WWE’s head honcho, Vince McMahon. Jericho also devotes plenty of space to the ways in which he carefully planned his wrestling feuds with recent icons like Shawn Michaels and older legends like Ricky Steamboat. The confrontations have never been limited to fellow wrestlers: Jericho took a punch from Mike Tyson, endured a tongue lashing from Bob Barker and narrowly escaped an all-out brawl with Mickey Rourke (and his crew of bone-breakers). Metalheads will certainly appreciate Jericho’s encyclopedic knowledge of hard-core rock bands and his childlike anxiety when meeting stars like Ozzy Osbourne and the members of Metallica. Jericho also recounts his experiences on Dancing with the Stars, which allowed him to showcase his personality as an entertainer, not just a pro wrestler. Laced with deadpan comedic quips and diabolical schemes to further his position as a wrestling villain, this book makes a strong case for Jericho’s extensive skill set as a performer.

A rollicking ride through a large swath of the entertainment industry.

Pub Date: Oct. 14, 2014

ISBN: 978-1-59240-752-1

Page Count: 432

Publisher: Gotham Books

Review Posted Online: Aug. 12, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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